Othello: Critical EssaysPhilip Kolin Routledge, 11. 1. 2013 - 472 strán (strany) Including twenty-one groundbreaking chapters that examine one of Shakespeare's most complex tragedies. Othello:Critical Essays explores issues of friendship and fealty, love and betrayal, race and gender issues, and much more. |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 5 z 91.
Strana 4
... Moor. (Othello, 12) Conversely, when the Russian actor Alexander Ostuzhev (1874-1953) voiced Othello's bloody threats in his last speech, a man in the audience shouted: “It wasn't his fault: his kind of love could burn up a city.” This ...
... Moor. (Othello, 12) Conversely, when the Russian actor Alexander Ostuzhev (1874-1953) voiced Othello's bloody threats in his last speech, a man in the audience shouted: “It wasn't his fault: his kind of love could burn up a city.” This ...
Strana 5
... Moors look and talk and love, give me a Moor for a husband” (quoted in Pechter, Othello, 12). And G. K. Hunter, quoting from the Variorum, analyzes a comment from a nineteenth-century Maryland lady who outlandishly stated, “In studying ...
... Moors look and talk and love, give me a Moor for a husband” (quoted in Pechter, Othello, 12). And G. K. Hunter, quoting from the Variorum, analyzes a comment from a nineteenth-century Maryland lady who outlandishly stated, “In studying ...
Strana 8
... Moor's fortunes, especially the resistance to and the reaction against his character. The most recent (and perhaps most perceptive) attempt to assess Othello criticism is Edward Pechter's Othello and Interpretive Traditions (especially ...
... Moor's fortunes, especially the resistance to and the reaction against his character. The most recent (and perhaps most perceptive) attempt to assess Othello criticism is Edward Pechter's Othello and Interpretive Traditions (especially ...
Strana 9
... Moor's fortunes among the critics. For nearly 300 years, Othello enjoyed a reputation as the “noble Moor.” Dr. Johnson praised him as “magnanimous, artless, and credulous, boundless in his confidence, ardent in his affection, inflexible ...
... Moor's fortunes among the critics. For nearly 300 years, Othello enjoyed a reputation as the “noble Moor.” Dr. Johnson praised him as “magnanimous, artless, and credulous, boundless in his confidence, ardent in his affection, inflexible ...
Strana 10
... Moor. An unheroic, unflattering Moor replaced Bradley's romantic icon for critics. In the 1920s and 1930s, Othello succumbed as the hostile foe of critics such as T. S. Eliot and F. R. Leavis. In “Shakespeare and the Stoicism of Seneca ...
... Moor. An unheroic, unflattering Moor replaced Bradley's romantic icon for critics. In the 1920s and 1930s, Othello succumbed as the hostile foe of critics such as T. S. Eliot and F. R. Leavis. In “Shakespeare and the Stoicism of Seneca ...
Obsah
1 | |
The Audiences Role in Othello | 89 |
The Production of Race in Othello | 103 |
Images of White Identity in Othello | 133 |
Roderigo and the Mixed Dramaturgy of Race and Gender in Othello | 147 |
Othellos Judaic Ancestry | 169 |
The State and the Subject of Othello | 189 |
Venetian Ideology or Transversal Power? Iagos Motives and the Means by which Othello Falls | 203 |
Early Modern Jury Trials and the Equitable Judgments of Tragedy | 293 |
Othello Among the Sonnets | 325 |
Tropes of Damnation and Nothingness | 347 |
A Semiotics of Eyeconography in Othello | 363 |
Physiologies and Anatomies in Othello | 379 |
Reading Othello Backwards | 391 |
The Mystery of the Early Othello Texts | 401 |
Stage Violence in Othello | 425 |
Portrait of a Marriage | 221 |
Desdemona Emilia and the Doctrine of Obedience in Othello | 233 |
Morality Ethics and the Failure of Love in Shakespeares Othello | 255 |
Water Imagery and Religious Diversity in Othello | 271 |
An Interview with Kent Thompson Artistic Director of the Alabama Shakespeare Festival | 441 |
Notes on the Contributors | 456 |
Iné vydania - Zobraziť všetky
Časté výrazy a frázy
African Aldridge audience audience’s Bianca black actor black Othello blackface Brabantio Cambridge University Press Cassio cast character Christian Critical Essays cultural Cyprus define demona Desdemona Drama Duke Duke’s early modern Elizabethan ello ello’s Emilia English ethical father female figure film final finally find first fit foul papers gender God’s handkerchief husband Iago Iago’s identified ideology interpretation jealousy Jews Kabuki Lodovico London male marriage military Moor Moor’s moral murder Nunn’s Olivier Olivier’s Oxford patriarchal Patrick Stewart Paul Robeson Pechter performance play’s played Othello production Quarto quoted race racial racism reflected relationship Renaissance Review rhetorical Robeson Roderigo role Royal Shakespeare Company scene script seems sexual Shake Shakespeare Festival Shakespeare Quarterly significant social Sonnets soul speare speech stage Theatre theatrical thou tion tragedy tragic Trevor Nunn Turk University of Georgia Venetian Venice violence Welles’s wife woman women words York