Othello: Critical EssaysPhilip Kolin Routledge, 11. 1. 2013 - 472 strán (strany) Including twenty-one groundbreaking chapters that examine one of Shakespeare's most complex tragedies. Othello:Critical Essays explores issues of friendship and fealty, love and betrayal, race and gender issues, and much more. |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 5 z 17.
Strana 4
... Paul Robeson declared that “Othello won't play in Memphis,” because segregation and prejudice stood at the footlights with pickets. Corroborating Robeson's fear, a story in the New York Times for 22 May 1930 ran this title: “Negro Who ...
... Paul Robeson declared that “Othello won't play in Memphis,” because segregation and prejudice stood at the footlights with pickets. Corroborating Robeson's fear, a story in the New York Times for 22 May 1930 ran this title: “Negro Who ...
Strana 32
... Paul Robeson, one of the most renowned Othellos of the twentieth century, sketched in the cultural reasoning behind Kean's change of make-up. Shakespeare meant Othello to be a 'black moor' from Africa, an African of the highest nobility ...
... Paul Robeson, one of the most renowned Othellos of the twentieth century, sketched in the cultural reasoning behind Kean's change of make-up. Shakespeare meant Othello to be a 'black moor' from Africa, an African of the highest nobility ...
Strana 33
... Paul Robeson in 1943, explained why a fairer-skinned Othello did not work: It is true that many of the cultured gentlemen, reluctantly and faintly disguising from us their familiar features under a layer of becoming coffeecolored grease ...
... Paul Robeson in 1943, explained why a fairer-skinned Othello did not work: It is true that many of the cultured gentlemen, reluctantly and faintly disguising from us their familiar features under a layer of becoming coffeecolored grease ...
Strana 36
... Paul Robeson at the Stratford-UponAvon Festival, John Dover Wilson expressed a sentiment contemporary / 1 woe/e mesa. directors have enthusiastically validated: “I felt 3 6 Othello.
... Paul Robeson at the Stratford-UponAvon Festival, John Dover Wilson expressed a sentiment contemporary / 1 woe/e mesa. directors have enthusiastically validated: “I felt 3 6 Othello.
Strana 38
... Paul Winfield observed, Othello has become “the classic play for black actors” (quoted in Mike Steele, 2.E). The accomplishments of leading black actors in the role have been carefully ... Paul Robeson, Jr. played Othello in 38 Othello.
... Paul Winfield observed, Othello has become “the classic play for black actors” (quoted in Mike Steele, 2.E). The accomplishments of leading black actors in the role have been carefully ... Paul Robeson, Jr. played Othello in 38 Othello.
Obsah
1 | |
The Audiences Role in Othello | 89 |
The Production of Race in Othello | 103 |
Images of White Identity in Othello | 133 |
Roderigo and the Mixed Dramaturgy of Race and Gender in Othello | 147 |
Othellos Judaic Ancestry | 169 |
The State and the Subject of Othello | 189 |
Venetian Ideology or Transversal Power? Iagos Motives and the Means by which Othello Falls | 203 |
Early Modern Jury Trials and the Equitable Judgments of Tragedy | 293 |
Othello Among the Sonnets | 325 |
Tropes of Damnation and Nothingness | 347 |
A Semiotics of Eyeconography in Othello | 363 |
Physiologies and Anatomies in Othello | 379 |
Reading Othello Backwards | 391 |
The Mystery of the Early Othello Texts | 401 |
Stage Violence in Othello | 425 |
Portrait of a Marriage | 221 |
Desdemona Emilia and the Doctrine of Obedience in Othello | 233 |
Morality Ethics and the Failure of Love in Shakespeares Othello | 255 |
Water Imagery and Religious Diversity in Othello | 271 |
An Interview with Kent Thompson Artistic Director of the Alabama Shakespeare Festival | 441 |
Notes on the Contributors | 456 |
Iné vydania - Zobraziť všetky
Časté výrazy a frázy
African Aldridge audience audience’s Bianca black actor black Othello blackface Brabantio Cambridge University Press Cassio cast character Christian Critical Essays cultural Cyprus define demona Desdemona Drama Duke Duke’s early modern Elizabethan ello ello’s Emilia English ethical father female figure film final finally find first fit foul papers gender God’s handkerchief husband Iago Iago’s identified ideology interpretation jealousy Jews Kabuki Lodovico London male marriage military Moor Moor’s moral murder Nunn’s Olivier Olivier’s Oxford patriarchal Patrick Stewart Paul Robeson Pechter performance play’s played Othello production Quarto quoted race racial racism reflected relationship Renaissance Review rhetorical Robeson Roderigo role Royal Shakespeare Company scene script seems sexual Shake Shakespeare Festival Shakespeare Quarterly significant social Sonnets soul speare speech stage Theatre theatrical thou tion tragedy tragic Trevor Nunn Turk University of Georgia Venetian Venice violence Welles’s wife woman women words York