Othello: Critical EssaysPhilip Kolin Routledge, 11. 1. 2013 - 472 strán (strany) Including twenty-one groundbreaking chapters that examine one of Shakespeare's most complex tragedies. Othello: Critical Essays explores issues of friendship and fealty, love and betrayal, race and gender issues, and much more. |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 5 z 35.
Strana 2
... Pechter argues that the play graphically projects the reader's revulsion of sexual fluids; the “slime” of the deceitful deed has its verbal roots in sexual secretions (Othello, 104; see also Pechter, “Sex and Sexual Stories”). Othello ...
... Pechter argues that the play graphically projects the reader's revulsion of sexual fluids; the “slime” of the deceitful deed has its verbal roots in sexual secretions (Othello, 104; see also Pechter, “Sex and Sexual Stories”). Othello ...
Strana 4
... Pechter points out that: Perhaps the most striking instance of such bizarre overinvolvement comes in an anecdote transcribed in Stendhal of an 1822 performance in Baltimore, during which a soldier on guard duty, “seeing Othello ...
... Pechter points out that: Perhaps the most striking instance of such bizarre overinvolvement comes in an anecdote transcribed in Stendhal of an 1822 performance in Baltimore, during which a soldier on guard duty, “seeing Othello ...
Strana 5
... Pechter, Othello, 12). And G. K. Hunter, quoting from the Variorum, analyzes a comment from a nineteenth-century Maryland lady who outlandishly stated, “In studying the play of Othello I have always imagined its hero a white man ...
... Pechter, Othello, 12). And G. K. Hunter, quoting from the Variorum, analyzes a comment from a nineteenth-century Maryland lady who outlandishly stated, “In studying the play of Othello I have always imagined its hero a white man ...
Strana 6
... Pechter, Othello, 29). In point of fact, however, by declaring partisanship audiences fall into a trap of culpability. The history of Othello on stage might conveniently be seen as a continuing question of whose play is it— Othello's ...
... Pechter, Othello, 29). In point of fact, however, by declaring partisanship audiences fall into a trap of culpability. The history of Othello on stage might conveniently be seen as a continuing question of whose play is it— Othello's ...
Strana 7
... Pechter's characterization of contemporary views of Othello as a “poisoned gift” disturbingly, though no less accurately, captures the dilemma the play puts audiences in and through. A powerful Iago has ensnared audiences, not to ...
... Pechter's characterization of contemporary views of Othello as a “poisoned gift” disturbingly, though no less accurately, captures the dilemma the play puts audiences in and through. A powerful Iago has ensnared audiences, not to ...
Obsah
1 | |
The Audiences Role in Othello | 89 |
The Production of Race in Othello | 103 |
Images of White Identity in Othello | 133 |
Roderigo and the Mixed Dramaturgy of Race and Gender in Othello | 147 |
Othellos Judaic Ancestry | 169 |
The State and the Subject of Othello | 189 |
Venetian Ideology or Transversal Power? Iagos Motives and the Means by which Othello Falls | 203 |
Early Modern Jury Trials and the Equitable Judgments of Tragedy | 293 |
Othello Among the Sonnets | 325 |
Tropes of Damnation and Nothingness | 347 |
A Semiotics of Eyeconography in Othello | 363 |
Physiologies and Anatomies in Othello | 379 |
Reading Othello Backwards | 391 |
The Mystery of the Early Othello Texts | 401 |
Stage Violence in Othello | 425 |
Portrait of a Marriage | 221 |
Desdemona Emilia and the Doctrine of Obedience in Othello | 233 |
Morality Ethics and the Failure of Love in Shakespeares Othello | 255 |
Water Imagery and Religious Diversity in Othello | 271 |
An Interview with Kent Thompson Artistic Director of the Alabama Shakespeare Festival | 441 |
Notes on the Contributors | 456 |
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