Othello: Critical EssaysPhilip Kolin Routledge, 11. 1. 2013 - 472 strán (strany) Including twenty-one groundbreaking chapters that examine one of Shakespeare's most complex tragedies. Othello: Critical Essays explores issues of friendship and fealty, love and betrayal, race and gender issues, and much more. |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 5 z 85.
Strana 12
... Venice, becomes by his own accusation a “malignant and turbanned Turk,” whom he “smote . . . thus” (5.2. 351—53). Stripped of his sword twice and his command~in effect, cashiered as Cassio had been—Othello suffers a painful punishment ...
... Venice, becomes by his own accusation a “malignant and turbanned Turk,” whom he “smote . . . thus” (5.2. 351—53). Stripped of his sword twice and his command~in effect, cashiered as Cassio had been—Othello suffers a painful punishment ...
Strana 19
... Venice, or among Venetians, [Othello] will never be considered anything other than an instance of that race” (“Othell0, Racism, and Despair,” 44l—42). Besides being cast as an ungrateful and rebellious daughter, Desdemona, as Fultz and ...
... Venice, or among Venetians, [Othello] will never be considered anything other than an instance of that race” (“Othell0, Racism, and Despair,” 44l—42). Besides being cast as an ungrateful and rebellious daughter, Desdemona, as Fultz and ...
Strana 34
... Venice” (quoted in Carlisle, 205). Because of his violent passion, Salvini readily embodied Othello 's strong emotions. “I11 this respect, Salvini's heir was Olivier, who also performed the part with an aggressively sexual and ...
... Venice” (quoted in Carlisle, 205). Because of his violent passion, Salvini readily embodied Othello 's strong emotions. “I11 this respect, Salvini's heir was Olivier, who also performed the part with an aggressively sexual and ...
Strana 36
... Venice after the fall of the Spanish-Arab Empire . . . ” (quoted in Rosenberg, 195). More recently, Ferial J. Ghazoul has also argued for Othello's unalloyed Arabization'. No work of Shakespeare touches chords of Arab sensibility and ...
... Venice after the fall of the Spanish-Arab Empire . . . ” (quoted in Rosenberg, 195). More recently, Ferial J. Ghazoul has also argued for Othello's unalloyed Arabization'. No work of Shakespeare touches chords of Arab sensibility and ...
Strana 37
... Venice itself of an arrogance in toleration which was one of the principal hallmarks of its civilization—a civilization which frames, first and last, the soaring emotions of the play. (239) In point of fact, since the early 1970s ...
... Venice itself of an arrogance in toleration which was one of the principal hallmarks of its civilization—a civilization which frames, first and last, the soaring emotions of the play. (239) In point of fact, since the early 1970s ...
Obsah
1 | |
The Audiences Role in Othello | 89 |
The Production of Race in Othello | 103 |
Images of White Identity in Othello | 133 |
Roderigo and the Mixed Dramaturgy of Race and Gender in Othello | 147 |
Othellos Judaic Ancestry | 169 |
The State and the Subject of Othello | 189 |
Venetian Ideology or Transversal Power? Iagos Motives and the Means by which Othello Falls | 203 |
Early Modern Jury Trials and the Equitable Judgments of Tragedy | 293 |
Othello Among the Sonnets | 325 |
Tropes of Damnation and Nothingness | 347 |
A Semiotics of Eyeconography in Othello | 363 |
Physiologies and Anatomies in Othello | 379 |
Reading Othello Backwards | 391 |
The Mystery of the Early Othello Texts | 401 |
Stage Violence in Othello | 425 |
Portrait of a Marriage | 221 |
Desdemona Emilia and the Doctrine of Obedience in Othello | 233 |
Morality Ethics and the Failure of Love in Shakespeares Othello | 255 |
Water Imagery and Religious Diversity in Othello | 271 |
An Interview with Kent Thompson Artistic Director of the Alabama Shakespeare Festival | 441 |
Notes on the Contributors | 456 |
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African Aldridge audience audience’s Bianca black actor black Othello blackface Brabantio Cambridge University Press Cassio cast character Christian Critical Essays cultural Cyprus define demona Desdemona Drama Duke Duke’s early modern Elizabethan ello ello’s Emilia English ethical father female figure film final finally find first fit foul papers gender God’s handkerchief husband Iago Iago’s identified ideology interpretation jealousy Jews Kabuki Lodovico London male marriage military Moor Moor’s moral murder Nunn’s Olivier Olivier’s Oxford patriarchal Patrick Stewart Paul Robeson Pechter performance play’s played Othello production Quarto quoted race racial racism reflected relationship Renaissance Review rhetorical Robeson Roderigo role Royal Shakespeare Company scene script seems sexual Shake Shakespeare Festival Shakespeare Quarterly significant social Sonnets soul speare speech stage Theatre theatrical thou tion tragedy tragic Trevor Nunn Turk University of Georgia Venetian Venice violence Welles’s wife woman women words York