Othello: Critical EssaysPhilip Kolin Routledge, 11. 1. 2013 - 472 strán (strany) Including twenty-one groundbreaking chapters that examine one of Shakespeare's most complex tragedies. Othello: Critical Essays explores issues of friendship and fealty, love and betrayal, race and gender issues, and much more. |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 5 z 40.
Strana 1
... jealousy—the curse of marriage and military office undermining faith and trust; (1') loss of reputation 'for Desdemona, Cassio, Othello; (g) class warfare—Iago, the underdog, Othello, the outsider. Inescapably, Othello is a cultural ...
... jealousy—the curse of marriage and military office undermining faith and trust; (1') loss of reputation 'for Desdemona, Cassio, Othello; (g) class warfare—Iago, the underdog, Othello, the outsider. Inescapably, Othello is a cultural ...
Strana 3
... Jealousy.” In 1776, the power of the Moor's horrible deed put audiences of Ludwig Schroeder's adaptation of Othello in a state of turmoil. This spectacle on stage: . . . exceeded by far what the nerves of the men of Hamburg, and even ...
... Jealousy.” In 1776, the power of the Moor's horrible deed put audiences of Ludwig Schroeder's adaptation of Othello in a state of turmoil. This spectacle on stage: . . . exceeded by far what the nerves of the men of Hamburg, and even ...
Strana 9
... jealousy storm his reasoning? He claims in Act 1.3 that he knows his cue, but does he always heed the cues society or his wife gives him? Why does he not interrogate Iago more? Lodovico claims that “passion could not shake” Othello (4.1 ...
... jealousy storm his reasoning? He claims in Act 1.3 that he knows his cue, but does he always heed the cues society or his wife gives him? Why does he not interrogate Iago more? Lodovico claims that “passion could not shake” Othello (4.1 ...
Strana 17
... jealousy and blackness are inseparable. Similarly, Desdemona's initial boldness and later submission are not discordant in the context of her position as a white woman. There is thus a tripartite and extremely complex relationship ...
... jealousy and blackness are inseparable. Similarly, Desdemona's initial boldness and later submission are not discordant in the context of her position as a white woman. There is thus a tripartite and extremely complex relationship ...
Strana 23
... jealousy and marriage. Tracing the iconography of the handkerchief, Lynda E. Boose explicates how Shakespeare dynamically fuses “handkerchief and wedding sheets, the sanctified union promising life and the tragic union culminating in ...
... jealousy and marriage. Tracing the iconography of the handkerchief, Lynda E. Boose explicates how Shakespeare dynamically fuses “handkerchief and wedding sheets, the sanctified union promising life and the tragic union culminating in ...
Obsah
1 | |
The Audiences Role in Othello | 89 |
The Production of Race in Othello | 103 |
Images of White Identity in Othello | 133 |
Roderigo and the Mixed Dramaturgy of Race and Gender in Othello | 147 |
Othellos Judaic Ancestry | 169 |
The State and the Subject of Othello | 189 |
Venetian Ideology or Transversal Power? Iagos Motives and the Means by which Othello Falls | 203 |
Early Modern Jury Trials and the Equitable Judgments of Tragedy | 293 |
Othello Among the Sonnets | 325 |
Tropes of Damnation and Nothingness | 347 |
A Semiotics of Eyeconography in Othello | 363 |
Physiologies and Anatomies in Othello | 379 |
Reading Othello Backwards | 391 |
The Mystery of the Early Othello Texts | 401 |
Stage Violence in Othello | 425 |
Portrait of a Marriage | 221 |
Desdemona Emilia and the Doctrine of Obedience in Othello | 233 |
Morality Ethics and the Failure of Love in Shakespeares Othello | 255 |
Water Imagery and Religious Diversity in Othello | 271 |
An Interview with Kent Thompson Artistic Director of the Alabama Shakespeare Festival | 441 |
Notes on the Contributors | 456 |
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African Aldridge audience audience’s Bianca black actor black Othello blackface Brabantio Cambridge University Press Cassio cast character Christian Critical Essays cultural Cyprus define demona Desdemona Drama Duke Duke’s early modern Elizabethan ello ello’s Emilia English ethical father female figure film final finally find first fit foul papers gender God’s handkerchief husband Iago Iago’s identified ideology interpretation jealousy Jews Kabuki Lodovico London male marriage military Moor Moor’s moral murder Nunn’s Olivier Olivier’s Oxford patriarchal Patrick Stewart Paul Robeson Pechter performance play’s played Othello production Quarto quoted race racial racism reflected relationship Renaissance Review rhetorical Robeson Roderigo role Royal Shakespeare Company scene script seems sexual Shake Shakespeare Festival Shakespeare Quarterly significant social Sonnets soul speare speech stage Theatre theatrical thou tion tragedy tragic Trevor Nunn Turk University of Georgia Venetian Venice violence Welles’s wife woman women words York