Othello: Critical EssaysPhilip Kolin Routledge, 11. 1. 2013 - 472 strán (strany) Including twenty-one groundbreaking chapters that examine one of Shakespeare's most complex tragedies. Othello: Critical Essays explores issues of friendship and fealty, love and betrayal, race and gender issues, and much more. |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 5 z 52.
Strana 22
... male sexuality” in light of the conflicting values of male autonomy, female sexuality, and nurturing. Also exploring identity issues, James Calderwood finds Othello transforming Desdemona into “an aggrandized version of his own I,” thus ...
... male sexuality” in light of the conflicting values of male autonomy, female sexuality, and nurturing. Also exploring identity issues, James Calderwood finds Othello transforming Desdemona into “an aggrandized version of his own I,” thus ...
Strana 23
... male anxiety and as an attack on the “stability of the male world” (393). The cause of the tragedy for Snow resides in the “pathological male animas toward sexuality” (389). The wedding sheets represent the “lust's blood” of Desdemona's ...
... male anxiety and as an attack on the “stability of the male world” (393). The cause of the tragedy for Snow resides in the “pathological male animas toward sexuality” (389). The wedding sheets represent the “lust's blood” of Desdemona's ...
Strana 24
... male control. Although the purse lewdly suggests that “Desdemona's vagina opens and closes every time 'money' is figuratively 'put' in it, in the play it is a largely homoerotic textile in that it produces maleto-male exchange across ...
... male control. Although the purse lewdly suggests that “Desdemona's vagina opens and closes every time 'money' is figuratively 'put' in it, in the play it is a largely homoerotic textile in that it produces maleto-male exchange across ...
Strana 30
... male selfhood” (18). Ronald Draper, however, concentrates on how Iago's social inferiority propels him toward dominating Othello (“Unholy Alliances”). Thomas F. Connolly paints Othello as a “double man” whose insanity of evil comes from ...
... male selfhood” (18). Ronald Draper, however, concentrates on how Iago's social inferiority propels him toward dominating Othello (“Unholy Alliances”). Thomas F. Connolly paints Othello as a “double man” whose insanity of evil comes from ...
Strana 55
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Obsah
1 | |
The Audiences Role in Othello | 89 |
The Production of Race in Othello | 103 |
Images of White Identity in Othello | 133 |
Roderigo and the Mixed Dramaturgy of Race and Gender in Othello | 147 |
Othellos Judaic Ancestry | 169 |
The State and the Subject of Othello | 189 |
Venetian Ideology or Transversal Power? Iagos Motives and the Means by which Othello Falls | 203 |
Early Modern Jury Trials and the Equitable Judgments of Tragedy | 293 |
Othello Among the Sonnets | 325 |
Tropes of Damnation and Nothingness | 347 |
A Semiotics of Eyeconography in Othello | 363 |
Physiologies and Anatomies in Othello | 379 |
Reading Othello Backwards | 391 |
The Mystery of the Early Othello Texts | 401 |
Stage Violence in Othello | 425 |
Portrait of a Marriage | 221 |
Desdemona Emilia and the Doctrine of Obedience in Othello | 233 |
Morality Ethics and the Failure of Love in Shakespeares Othello | 255 |
Water Imagery and Religious Diversity in Othello | 271 |
An Interview with Kent Thompson Artistic Director of the Alabama Shakespeare Festival | 441 |
Notes on the Contributors | 456 |
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