Othello: Critical EssaysPhilip Kolin Routledge, 11. 1. 2013 - 472 strán (strany) Including twenty-one groundbreaking chapters that examine one of Shakespeare's most complex tragedies. Othello: Critical Essays explores issues of friendship and fealty, love and betrayal, race and gender issues, and much more. |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 5 z 41.
Strana 6
... moral of his tale to Desdemona, who he says “lov'd me for the dangers I had pass'd” (I, iii, 167)? Brabantio himself was once beguiled by Othello's ability to overpower fate. (Black Face, Malignea1 Race, 70) On the other hand, If we ...
... moral of his tale to Desdemona, who he says “lov'd me for the dangers I had pass'd” (I, iii, 167)? Brabantio himself was once beguiled by Othello's ability to overpower fate. (Black Face, Malignea1 Race, 70) On the other hand, If we ...
Strana 10
... moral attitude, dramatising himself against his environment. He takes in the spectator, but the human motive is primarily to take in himself. I do not believe that any writer has ever exposed this bovarysm, the human will to see things ...
... moral attitude, dramatising himself against his environment. He takes in the spectator, but the human motive is primarily to take in himself. I do not believe that any writer has ever exposed this bovarysm, the human will to see things ...
Strana 12
... moral compulsion to revenge the affront to his 'honour”' (127). Similarly, Vaughan hears in Othello's words to and about Desdemona the devotion of a knight before his “fair damsel.” Othello's career, once the source of his strength and ...
... moral compulsion to revenge the affront to his 'honour”' (127). Similarly, Vaughan hears in Othello's words to and about Desdemona the devotion of a knight before his “fair damsel.” Othello's career, once the source of his strength and ...
Strana 14
... moral and religious rather than racial and geographical. Black was the colour of the devil . . .Anyone going to a play about a Moor in the early seventeenth century would have expected the worst from the apparition” (“Introduction,” l3 ...
... moral and religious rather than racial and geographical. Black was the colour of the devil . . .Anyone going to a play about a Moor in the early seventeenth century would have expected the worst from the apparition” (“Introduction,” l3 ...
Strana 23
... moral act of her identity” (287), expresses her freedom to love. Unlike Othello's fantasies about her adultery, Desdemona's language is anchored in reality, the physical present. Though Othello extinguishes her speech, Desdemona is ...
... moral act of her identity” (287), expresses her freedom to love. Unlike Othello's fantasies about her adultery, Desdemona's language is anchored in reality, the physical present. Though Othello extinguishes her speech, Desdemona is ...
Obsah
1 | |
The Audiences Role in Othello | 89 |
The Production of Race in Othello | 103 |
Images of White Identity in Othello | 133 |
Roderigo and the Mixed Dramaturgy of Race and Gender in Othello | 147 |
Othellos Judaic Ancestry | 169 |
The State and the Subject of Othello | 189 |
Venetian Ideology or Transversal Power? Iagos Motives and the Means by which Othello Falls | 203 |
Early Modern Jury Trials and the Equitable Judgments of Tragedy | 293 |
Othello Among the Sonnets | 325 |
Tropes of Damnation and Nothingness | 347 |
A Semiotics of Eyeconography in Othello | 363 |
Physiologies and Anatomies in Othello | 379 |
Reading Othello Backwards | 391 |
The Mystery of the Early Othello Texts | 401 |
Stage Violence in Othello | 425 |
Portrait of a Marriage | 221 |
Desdemona Emilia and the Doctrine of Obedience in Othello | 233 |
Morality Ethics and the Failure of Love in Shakespeares Othello | 255 |
Water Imagery and Religious Diversity in Othello | 271 |
An Interview with Kent Thompson Artistic Director of the Alabama Shakespeare Festival | 441 |
Notes on the Contributors | 456 |
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African Aldridge audience audience’s Bianca black actor black Othello blackface Brabantio Cambridge University Press Cassio cast character Christian Critical Essays cultural Cyprus define demona Desdemona Drama Duke Duke’s early modern Elizabethan ello ello’s Emilia English ethical father female figure film final finally find first fit foul papers gender God’s handkerchief husband Iago Iago’s identified ideology interpretation jealousy Jews Kabuki Lodovico London male marriage military Moor Moor’s moral murder Nunn’s Olivier Olivier’s Oxford patriarchal Patrick Stewart Paul Robeson Pechter performance play’s played Othello production Quarto quoted race racial racism reflected relationship Renaissance Review rhetorical Robeson Roderigo role Royal Shakespeare Company scene script seems sexual Shake Shakespeare Festival Shakespeare Quarterly significant social Sonnets soul speare speech stage Theatre theatrical thou tion tragedy tragic Trevor Nunn Turk University of Georgia Venetian Venice violence Welles’s wife woman women words York