Othello: Critical EssaysPhilip Kolin Routledge, 11. 1. 2013 - 472 strán (strany) Including twenty-one groundbreaking chapters that examine one of Shakespeare's most complex tragedies. Othello: Critical Essays explores issues of friendship and fealty, love and betrayal, race and gender issues, and much more. |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 5 z 48.
Strana 2
... murder, for example, has provoked feverish agony in audiences. In 1610, Henry Jackson described a contemporary spectator's pained response to the play performed at Oxford's Corpus Christi College: They also had tragedies, which they ...
... murder, for example, has provoked feverish agony in audiences. In 1610, Henry Jackson described a contemporary spectator's pained response to the play performed at Oxford's Corpus Christi College: They also had tragedies, which they ...
Strana 3
... murdered Desdemona in Jean-Francois Ducis's adaptation (l 792), the audience sent up: . . . a universal tumult. Tears, groans, and menaces resounded from all parts of the theatre; and what was still more demonstrative, and more alarming ...
... murdered Desdemona in Jean-Francois Ducis's adaptation (l 792), the audience sent up: . . . a universal tumult. Tears, groans, and menaces resounded from all parts of the theatre; and what was still more demonstrative, and more alarming ...
Strana 12
... murder an adulterous Desdemona, it changes to an “a moral compulsion to revenge the affront to his 'honour”' (127). Similarly, Vaughan hears in Othello's words to and about Desdemona the devotion of a knight before his “fair damsel ...
... murder an adulterous Desdemona, it changes to an “a moral compulsion to revenge the affront to his 'honour”' (127). Similarly, Vaughan hears in Othello's words to and about Desdemona the devotion of a knight before his “fair damsel ...
Strana 16
... murder scene and her compliance (or lack thereof) in her own tragedy: “This question focuses on character, the effect of Desdemona as a developing consciousness within the dramatic action and effective economy ofthe play” (Othello, 126) ...
... murder scene and her compliance (or lack thereof) in her own tragedy: “This question focuses on character, the effect of Desdemona as a developing consciousness within the dramatic action and effective economy ofthe play” (Othello, 126) ...
Strana 20
... murder,” since “all men share the responsibility for the acts of any individual being” (“Desdemona Unpinned”). Stephen Reid interprets Desdemona's death as an expression of her guilt for betraying her father and, simultaneously, a ...
... murder,” since “all men share the responsibility for the acts of any individual being” (“Desdemona Unpinned”). Stephen Reid interprets Desdemona's death as an expression of her guilt for betraying her father and, simultaneously, a ...
Obsah
1 | |
The Audiences Role in Othello | 89 |
The Production of Race in Othello | 103 |
Images of White Identity in Othello | 133 |
Roderigo and the Mixed Dramaturgy of Race and Gender in Othello | 147 |
Othellos Judaic Ancestry | 169 |
The State and the Subject of Othello | 189 |
Venetian Ideology or Transversal Power? Iagos Motives and the Means by which Othello Falls | 203 |
Early Modern Jury Trials and the Equitable Judgments of Tragedy | 293 |
Othello Among the Sonnets | 325 |
Tropes of Damnation and Nothingness | 347 |
A Semiotics of Eyeconography in Othello | 363 |
Physiologies and Anatomies in Othello | 379 |
Reading Othello Backwards | 391 |
The Mystery of the Early Othello Texts | 401 |
Stage Violence in Othello | 425 |
Portrait of a Marriage | 221 |
Desdemona Emilia and the Doctrine of Obedience in Othello | 233 |
Morality Ethics and the Failure of Love in Shakespeares Othello | 255 |
Water Imagery and Religious Diversity in Othello | 271 |
An Interview with Kent Thompson Artistic Director of the Alabama Shakespeare Festival | 441 |
Notes on the Contributors | 456 |
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