Othello: Critical EssaysPhilip Kolin Routledge, 11. 1. 2013 - 472 strán (strany) Including twenty-one groundbreaking chapters that examine one of Shakespeare's most complex tragedies. Othello: Critical Essays explores issues of friendship and fealty, love and betrayal, race and gender issues, and much more. |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 5 z 66.
Strana 5
... play's disturbing sexuality” (Pechter, Othello, 19). Terror gives way to expectation. As Lynda Boose perceptively claims, we want to see, gaze upon the ocular proof of Cassio tupping Desdemona and yet recoil in horror at the very ...
... play's disturbing sexuality” (Pechter, Othello, 19). Terror gives way to expectation. As Lynda Boose perceptively claims, we want to see, gaze upon the ocular proof of Cassio tupping Desdemona and yet recoil in horror at the very ...
Strana 7
... play. . . . The privileges of membership in Iago's sophisticated club are not gratis; we have purchased power over the play at the cost of the play's power over us. Modern criticism of Othello is turning out to be a mixed blessing ...
... play. . . . The privileges of membership in Iago's sophisticated club are not gratis; we have purchased power over the play at the cost of the play's power over us. Modern criticism of Othello is turning out to be a mixed blessing ...
Strana 15
... play with a black protagonist like Othello did not deter audiences from the theatre. Quite to the contrary, Othello was one of the most popular plays of the age, and its popularity continued as the first ... play's Blackness Made Visible 15.
... play with a black protagonist like Othello did not deter audiences from the theatre. Quite to the contrary, Othello was one of the most popular plays of the age, and its popularity continued as the first ... play's Blackness Made Visible 15.
Strana 16
... play's verbal epilepsy. Like the script itself, she has been polarized, valorized as a saint or vilified as a ... play. As S. N. Garner puts it: Desdemona's character is neither simple nor any more easily defined than Iago's or Othello's ...
... play's verbal epilepsy. Like the script itself, she has been polarized, valorized as a saint or vilified as a ... play. As S. N. Garner puts it: Desdemona's character is neither simple nor any more easily defined than Iago's or Othello's ...
Strana 17
... play created a greatly magnified, far different Desdemona than conventional readings have promulgated: It had never ... play's second half, though she can give it a focus. (“Grand Othell”) Giving Desdemona an even stronger voice in ...
... play created a greatly magnified, far different Desdemona than conventional readings have promulgated: It had never ... play's second half, though she can give it a focus. (“Grand Othell”) Giving Desdemona an even stronger voice in ...
Obsah
1 | |
The Audiences Role in Othello | 89 |
The Production of Race in Othello | 103 |
Images of White Identity in Othello | 133 |
Roderigo and the Mixed Dramaturgy of Race and Gender in Othello | 147 |
Othellos Judaic Ancestry | 169 |
The State and the Subject of Othello | 189 |
Venetian Ideology or Transversal Power? Iagos Motives and the Means by which Othello Falls | 203 |
Early Modern Jury Trials and the Equitable Judgments of Tragedy | 293 |
Othello Among the Sonnets | 325 |
Tropes of Damnation and Nothingness | 347 |
A Semiotics of Eyeconography in Othello | 363 |
Physiologies and Anatomies in Othello | 379 |
Reading Othello Backwards | 391 |
The Mystery of the Early Othello Texts | 401 |
Stage Violence in Othello | 425 |
Portrait of a Marriage | 221 |
Desdemona Emilia and the Doctrine of Obedience in Othello | 233 |
Morality Ethics and the Failure of Love in Shakespeares Othello | 255 |
Water Imagery and Religious Diversity in Othello | 271 |
An Interview with Kent Thompson Artistic Director of the Alabama Shakespeare Festival | 441 |
Notes on the Contributors | 456 |
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African Aldridge audience audience’s Bianca black actor black Othello blackface Brabantio Cambridge University Press Cassio cast character Christian Critical Essays cultural Cyprus define demona Desdemona Drama Duke Duke’s early modern Elizabethan ello ello’s Emilia English ethical father female figure film final finally find first fit foul papers gender God’s handkerchief husband Iago Iago’s identified ideology interpretation jealousy Jews Kabuki Lodovico London male marriage military Moor Moor’s moral murder Nunn’s Olivier Olivier’s Oxford patriarchal Patrick Stewart Paul Robeson Pechter performance play’s played Othello production Quarto quoted race racial racism reflected relationship Renaissance Review rhetorical Robeson Roderigo role Royal Shakespeare Company scene script seems sexual Shake Shakespeare Festival Shakespeare Quarterly significant social Sonnets soul speare speech stage Theatre theatrical thou tion tragedy tragic Trevor Nunn Turk University of Georgia Venetian Venice violence Welles’s wife woman women words York