Othello: Critical EssaysPhilip Kolin Routledge, 11. 1. 2013 - 472 strán (strany) Including twenty-one groundbreaking chapters that examine one of Shakespeare's most complex tragedies. Othello: Critical Essays explores issues of friendship and fealty, love and betrayal, race and gender issues, and much more. |
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Výsledky 1 - 5 z 63.
Strana 3
... (quoted in Habicht, 5) Sixteen years later, when the great French tragedian Francois-Joseph Talma murdered Desdemona in Jean-Francois Ducis's adaptation (l 792), the audience sent up: . . . a universal tumult. Tears, groans, and menaces ...
... (quoted in Habicht, 5) Sixteen years later, when the great French tragedian Francois-Joseph Talma murdered Desdemona in Jean-Francois Ducis's adaptation (l 792), the audience sent up: . . . a universal tumult. Tears, groans, and menaces ...
Strana 4
... in America.” In this story, Robeson was quoted as saying: “If any one does object to our [his and Peggy Ashcroft's Desdemona's] love making, the objection almost certainly will have to come from America.” In 1979, Paul Winfield 4 Othello.
... in America.” In this story, Robeson was quoted as saying: “If any one does object to our [his and Peggy Ashcroft's Desdemona's] love making, the objection almost certainly will have to come from America.” In 1979, Paul Winfield 4 Othello.
Strana 5
... (quoted in Pechter, Othello, 12). And G. K. Hunter, quoting from the Variorum, analyzes a comment from a nineteenth-century Maryland lady who outlandishly stated, “In studying the play of Othello I have always imagined its hero a white ...
... (quoted in Pechter, Othello, 12). And G. K. Hunter, quoting from the Variorum, analyzes a comment from a nineteenth-century Maryland lady who outlandishly stated, “In studying the play of Othello I have always imagined its hero a white ...
Strana 6
... (quoted in Pechter, Othello, 29). In point of fact, however, by declaring partisanship audiences fall into a trap of culpability. The history of Othello on stage might conveniently be seen as a continuing question of whose play is it ...
... (quoted in Pechter, Othello, 29). In point of fact, however, by declaring partisanship audiences fall into a trap of culpability. The history of Othello on stage might conveniently be seen as a continuing question of whose play is it ...
Strana 9
... (quoted in Gardner, 4). Equally effusive, Coleridge honored Othello as “noble, generous, open-hearted; unsuspicious and unsuspecting” (Raysor, Coleridge 's, 227.) In fact, the nineteenth century apotheosized Othello. Jan Kott pointed out ...
... (quoted in Gardner, 4). Equally effusive, Coleridge honored Othello as “noble, generous, open-hearted; unsuspicious and unsuspecting” (Raysor, Coleridge 's, 227.) In fact, the nineteenth century apotheosized Othello. Jan Kott pointed out ...
Obsah
1 | |
The Audiences Role in Othello | 89 |
The Production of Race in Othello | 103 |
Images of White Identity in Othello | 133 |
Roderigo and the Mixed Dramaturgy of Race and Gender in Othello | 147 |
Othellos Judaic Ancestry | 169 |
The State and the Subject of Othello | 189 |
Venetian Ideology or Transversal Power? Iagos Motives and the Means by which Othello Falls | 203 |
Early Modern Jury Trials and the Equitable Judgments of Tragedy | 293 |
Othello Among the Sonnets | 325 |
Tropes of Damnation and Nothingness | 347 |
A Semiotics of Eyeconography in Othello | 363 |
Physiologies and Anatomies in Othello | 379 |
Reading Othello Backwards | 391 |
The Mystery of the Early Othello Texts | 401 |
Stage Violence in Othello | 425 |
Portrait of a Marriage | 221 |
Desdemona Emilia and the Doctrine of Obedience in Othello | 233 |
Morality Ethics and the Failure of Love in Shakespeares Othello | 255 |
Water Imagery and Religious Diversity in Othello | 271 |
An Interview with Kent Thompson Artistic Director of the Alabama Shakespeare Festival | 441 |
Notes on the Contributors | 456 |
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