Othello: Critical EssaysPhilip Kolin Routledge, 11. 1. 2013 - 472 strán (strany) Including twenty-one groundbreaking chapters that examine one of Shakespeare's most complex tragedies. Othello: Critical Essays explores issues of friendship and fealty, love and betrayal, race and gender issues, and much more. |
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Výsledky 1 - 5 z 88.
Strana viii
... Tragedy NICHOLAS MOSCHOVAKIS Othello Among the Sonnets 325 JAMEs SCHIFFER The “O” in Othello: Tropes of Damnation and Nothingness 347 DANIEL J. VITKUS Trumpeting and “seeled” Eyes: 363 A Semiotics of [Eye]conography in Othello LARUE ...
... Tragedy NICHOLAS MOSCHOVAKIS Othello Among the Sonnets 325 JAMEs SCHIFFER The “O” in Othello: Tropes of Damnation and Nothingness 347 DANIEL J. VITKUS Trumpeting and “seeled” Eyes: 363 A Semiotics of [Eye]conography in Othello LARUE ...
Strana 1
... tragedies Othello is the most painfully exciting and terrible” (Shakespearean Tragedy, 140). For centuries, though, the play had been terrifying readers and audiences. Dr. Johnson confessed that he could not bear to read or see the last ...
... tragedies Othello is the most painfully exciting and terrible” (Shakespearean Tragedy, 140). For centuries, though, the play had been terrifying readers and audiences. Dr. Johnson confessed that he could not bear to read or see the last ...
Strana 2
... Tragedies), and Stephen Greenblatt all trace how Iago, Othello, Emilia, and even Desdemona employ dramaturgical ... tragedies, which they acted with propriety and fitness. In which [tragedies], not only through speaking but also through ...
... Tragedies), and Stephen Greenblatt all trace how Iago, Othello, Emilia, and even Desdemona employ dramaturgical ... tragedies, which they acted with propriety and fitness. In which [tragedies], not only through speaking but also through ...
Strana 3
... tragedy, for this fame, and for his life. (Rosenberg, 32) Seeing Edmund Kean as Othello, an actor who sent “flashes of lightning” into the audience, “Byron wept sobs” (Rosenberg, 61), and recalling Kean's horrific performance in Act 3.3 ...
... tragedy, for this fame, and for his life. (Rosenberg, 32) Seeing Edmund Kean as Othello, an actor who sent “flashes of lightning” into the audience, “Byron wept sobs” (Rosenberg, 61), and recalling Kean's horrific performance in Act 3.3 ...
Strana 8
... tragedy? W. H. Auden sardonically noted: Any consideration of the tragedy of Othello must be primarily occupied, not with its official hero but with its villain. I cannot think of any other play in which only one character performs ...
... tragedy? W. H. Auden sardonically noted: Any consideration of the tragedy of Othello must be primarily occupied, not with its official hero but with its villain. I cannot think of any other play in which only one character performs ...
Obsah
1 | |
The Audiences Role in Othello | 89 |
The Production of Race in Othello | 103 |
Images of White Identity in Othello | 133 |
Roderigo and the Mixed Dramaturgy of Race and Gender in Othello | 147 |
Othellos Judaic Ancestry | 169 |
The State and the Subject of Othello | 189 |
Venetian Ideology or Transversal Power? Iagos Motives and the Means by which Othello Falls | 203 |
Early Modern Jury Trials and the Equitable Judgments of Tragedy | 293 |
Othello Among the Sonnets | 325 |
Tropes of Damnation and Nothingness | 347 |
A Semiotics of Eyeconography in Othello | 363 |
Physiologies and Anatomies in Othello | 379 |
Reading Othello Backwards | 391 |
The Mystery of the Early Othello Texts | 401 |
Stage Violence in Othello | 425 |
Portrait of a Marriage | 221 |
Desdemona Emilia and the Doctrine of Obedience in Othello | 233 |
Morality Ethics and the Failure of Love in Shakespeares Othello | 255 |
Water Imagery and Religious Diversity in Othello | 271 |
An Interview with Kent Thompson Artistic Director of the Alabama Shakespeare Festival | 441 |
Notes on the Contributors | 456 |
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