Shakespeare's Romance of the Word, Zväzok 10Bucknell University Press, 1990 - 183 strán (strany) This work is a critical study of Pericles, Cymbeline, The Winter's Tale, and The Tempest, with a focus on Shakespeare's exploration of language in its destructive potentialities and its redemptive workings. |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 61.
Strana 147
... Language of the Last Plays , " More Talking of Shakespeare , ed . John Garrett ( New York : Theatre Arts Books , 1959 ) , 144-51 . For Pericles , see Inga - Stina Ewbank , “ My Name is Marina ' : The Lan- guage of Recognition ...
... Language of the Last Plays , " More Talking of Shakespeare , ed . John Garrett ( New York : Theatre Arts Books , 1959 ) , 144-51 . For Pericles , see Inga - Stina Ewbank , “ My Name is Marina ' : The Lan- guage of Recognition ...
Strana 148
... language , an organization which may concentrate systematically upon certain phases of reality , certain aspects of intelligence , and may systematically dis- card others featured by other languages " ( p . 256 ) . . . . “ Because of ...
... language , an organization which may concentrate systematically upon certain phases of reality , certain aspects of intelligence , and may systematically dis- card others featured by other languages " ( p . 256 ) . . . . “ Because of ...
Strana 153
... Language , " 374-88 . In his " Elizabe- than Naming " appendix to Metadrama in Shakespeare's Henriad , Calderwood essentially subscribes to De Grazia's thesis concerning a marked revolution in attitude toward the speaker / speech ...
... Language , " 374-88 . In his " Elizabe- than Naming " appendix to Metadrama in Shakespeare's Henriad , Calderwood essentially subscribes to De Grazia's thesis concerning a marked revolution in attitude toward the speaker / speech ...
Obsah
Acknowledgments | 9 |
Cymbeline | 41 |
The Winters Tale | 74 |
Autorské práva | |
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action appears beauty becomes believes Caliban Camillo cause characters concerning context court courtiers creates critical Cymbeline dance death divine dramatic ears effect Elizabethan English evil example experience expression eyes fact faith Ferdinand final flowers force gives gods hear Hermione human idea imagination Imogen important interpretation John kind King knowledge language Leontes linguistic London Marina Masque meaning mind Miranda nature never notes once original pastoral Paulina's Perdita Pericles perspective play Polixenes possible Posthumus Posthumus's present Prince Prospero providence Queen reason reflects Regarded remains remarkable Renaissance represents reprint reveals role romance scene sense Shake Shakespeare shapes speak speaker speech spirit stand story Studies suggests symbolic Tale tells Tempest thing thou thought tion true truth understanding University Press utterance verbal viewer virtue vision Winter's Winter's Tale words York