The Philosophy of ImprovisationUniversity of Chicago Press, 1. 8. 2009 - 200 strán (strany) Improvisation is usually either lionized as an ecstatic experience of being in the moment or disparaged as the thoughtless recycling of clichés. Eschewing both of these orthodoxies, The Philosophy of Improvisation ranges across the arts—from music to theater, dance to comedy—and considers the improvised dimension of philosophy itself in order to elaborate an innovative concept of improvisation. Gary Peters turns to many of the major thinkers within continental philosophy—including Heidegger, Nietzsche, Adorno, Kant, Benjamin, and Deleuze—offering readings of their reflections on improvisation and exploring improvisational elements within their thinking. Peters’s wry, humorous style offers an antidote to the frequently overheated celebration of freedom and community that characterizes most writing on the subject. Expanding the field of what counts as improvisation, The Philosophy of Improvisation will be welcomed by anyone striving to comprehend the creative process. |
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... discourses that have emerged thus far. But, to reiterate, this is not intended as a critique of other views on the nature of improvisation but simply as the affirmation of something dif- ferent. However, one consequence of this pursuit ...
... discourses spun around fully fledged improvisatory art. The Demands of the Work To begin with, consideration might first be given to the manner in which scrap yard improvisation gains its urgency not from the dynamism of collective ...
Dosiahli ste svoj limit zobrazení tejto knihy..
Dosiahli ste svoj limit zobrazení tejto knihy..
Dosiahli ste svoj limit zobrazení tejto knihy..
Obsah
1 | |
9 | |
2 Freedom Origination and Irony | 21 |
3 Mimesis and Cruelty | 75 |
4 Improvisation Origination and Renovation | 117 |
Improvising Thinking Writing | 145 |
Notes | 171 |
Bibliography | 181 |
Index | 187 |