The Philosophy of ImprovisationUniversity of Chicago Press, 1. 8. 2009 - 200 strán (strany) Improvisation is usually either lionized as an ecstatic experience of being in the moment or disparaged as the thoughtless recycling of clichés. Eschewing both of these orthodoxies, The Philosophy of Improvisation ranges across the arts—from music to theater, dance to comedy—and considers the improvised dimension of philosophy itself in order to elaborate an innovative concept of improvisation. Gary Peters turns to many of the major thinkers within continental philosophy—including Heidegger, Nietzsche, Adorno, Kant, Benjamin, and Deleuze—offering readings of their reflections on improvisation and exploring improvisational elements within their thinking. Peters’s wry, humorous style offers an antidote to the frequently overheated celebration of freedom and community that characterizes most writing on the subject. Expanding the field of what counts as improvisation, The Philosophy of Improvisation will be welcomed by anyone striving to comprehend the creative process. |
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... movement, the movement of “espacement,” as described by Jacques Derrida, that offers up a different way of thinking improvisa- tion. And the rationale behind including Artaud in this discussion is that, quite apart from his own critique ...
... movement that both Heidegger and Blanchot describe as erring: a rigorous error always maintaining a distance from truth and its allure. All of the above is by way of a preliminary to the central concern of this chapter, which is to ...
... movement, an emergence or occurrence that, while producing an art- work, is also the originary and originating gesture of the artist too. To repeat: “The artist is the origin of the work. The work is the origin of the artist.” Thought ...
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Obsah
1 | |
9 | |
2 Freedom Origination and Irony | 21 |
3 Mimesis and Cruelty | 75 |
4 Improvisation Origination and Renovation | 117 |
Improvising Thinking Writing | 145 |
Notes | 171 |
Bibliography | 181 |
Index | 187 |