The Philosophy of ImprovisationUniversity of Chicago Press, 1. 8. 2009 - 200 strán (strany) Improvisation is usually either lionized as an ecstatic experience of being in the moment or disparaged as the thoughtless recycling of clichés. Eschewing both of these orthodoxies, The Philosophy of Improvisation ranges across the arts—from music to theater, dance to comedy—and considers the improvised dimension of philosophy itself in order to elaborate an innovative concept of improvisation. Gary Peters turns to many of the major thinkers within continental philosophy—including Heidegger, Nietzsche, Adorno, Kant, Benjamin, and Deleuze—offering readings of their reflections on improvisation and exploring improvisational elements within their thinking. Peters’s wry, humorous style offers an antidote to the frequently overheated celebration of freedom and community that characterizes most writing on the subject. Expanding the field of what counts as improvisation, The Philosophy of Improvisation will be welcomed by anyone striving to comprehend the creative process. |
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... possibilities of material at any particu- lar historical moment as part of an inherent temporal unfolding that is largely unresponsive to the whims of the individual subject . It is not a question of how much material the improviser has ...
... the following is not only the manner in which the artwork demands to be worked within its material or mimetic possibilities but also the prior emergence of the artist and the work within what Heidegger CHAPTER ONE 122.
Dosiahli ste svoj limit zobrazení tejto knihy..
Dosiahli ste svoj limit zobrazení tejto knihy..
Dosiahli ste svoj limit zobrazení tejto knihy..
Obsah
1 | |
9 | |
2 Freedom Origination and Irony | 21 |
3 Mimesis and Cruelty | 75 |
4 Improvisation Origination and Renovation | 117 |
Improvising Thinking Writing | 145 |
Notes | 171 |
Bibliography | 181 |
Index | 187 |