scond characters of the language of formsCUP Archive |
Obsah
PREFACE | 3 |
IDEA OF THE WORK | 4 |
PREFATORY ANTICIPATORY THOUGHTS | 12 |
A LETTER CONCERNING DESIGN | 18 |
A NOTION OF THE HISTORICAL DRAUGHT OF HERCULES | 29 |
THE PICTURE OF CEBES | 63 |
PLASTICS | 89 |
Characters 1st 2d 3d | 90 |
Encouragements Motives | 121 |
Praises Recommendations of the Art | 122 |
Ancient Masters and Works | 124 |
IO Modern Masters and Works | 127 |
2nd Part viz Proportion Drawing Symmetry | 129 |
Character Education Qualification | 131 |
Subjects of Painting | 133 |
Sorts of Painters and Painting | 134 |
Characters Personages | 94 |
Rise Progress Declension and Revival of Second | 103 |
Characters | 104 |
Instinct Natural Ideas | 105 |
Taste Relish Eye Judgment Criticism | 108 |
Discouragements in Art | 116 |
4th Part viz Sentiment Movement Passion Soul | 151 |
Maxims of the | 160 |
21 | 167 |
Moral and Theological Citations and Maxims | 173 |
DICTIONARY OF ART TERMS | 179 |
Časté výrazy a frázy
according action Aeneid ancient appear Arte Poetica artist beautiful called censure Char-cks Characteristics colours contrary crowned Diogenes Laertius divine Domenichino draught edition Egyptian Emblem of Cebes emblematic enclosure epic express face painter figures forms French genius give Greek hand head hero heroic honour Horace Horace's hyperbole Ibid idea imitation Infra J. E. SANDYS Journal des Sçavans Judgment of Hercules Judgment of Paris kind Letter of Design Letter of Enthusiasm liberty live Lord manner masters maxim modern moral Naples nature noble notes Notion ornaments painter painting particular passion perfect perspective philosophers picture piece Pietro da Cortona plastic Plato pleasure poet poetic Poussin principal Prodicus Pythagoras Raphael reason remember Salvator Rosa Second Characters sense Shaftesbury Socrates sort species stand statuary style Supra tablature taste things thought translation treatise true learning truth Virtue virtuoso Xenophon