His Infinite Variety: Major Shakespearean Criticism Since JohnsonPaul N. Siegel Lippincott, 1964 - 432 strán (strany) Webster and his big brother Arnold discover that camping out all night for the first time is a lot of fun, but also a little bit scary. |
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Výsledky 1 - 3 z 56.
Strana 51
... course of its performance . An Ibsen drama , attended to passively , is discussed afterwards in abstract terms ; but in a Shakespearean play , criticism is an integral part of apprehension , and apprehension thereby becomes an activity ...
... course of its performance . An Ibsen drama , attended to passively , is discussed afterwards in abstract terms ; but in a Shakespearean play , criticism is an integral part of apprehension , and apprehension thereby becomes an activity ...
Strana 276
... course of the short remainder of his life so unalterably fixed that it is perfectly useless to think more about it . ” 5 These words because they are the simplest are amongst the most memorable that Romeo utters . Is this indeed the ...
... course of the short remainder of his life so unalterably fixed that it is perfectly useless to think more about it . ” 5 These words because they are the simplest are amongst the most memorable that Romeo utters . Is this indeed the ...
Strana 341
... course , is a tendency which produces symbols , allegories , personifica- tions of qualities and abstract ideas ; and we are accustomed to think it quite foreign to Shakespeare's genius , which was in the highest degree concrete . No ...
... course , is a tendency which produces symbols , allegories , personifica- tions of qualities and abstract ideas ; and we are accustomed to think it quite foreign to Shakespeare's genius , which was in the highest degree concrete . No ...
Obsah
The Purpose and Organization of the Book | 1 |
Shakspeares Dramas | 29 |
Shakespeares Genius | 35 |
Autorské práva | |
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Iné vydania - Zobraziť všetky
His Infinite Variety: Major Shakespearean Criticism Since Johnson Paul N. Siegel Zobrazenie úryvkov - 1972 |
Časté výrazy a frázy
A. C. Bradley action Angelo audience beauty Bradley called Cassio character Christian Claudio Coleridge comedy comic Cordelia Cymbeline cynicism death Desdemona despair devil divine drama dramatist dream Duke Edgar effect Elizabethan emotion evil eyes fact Falstaff father feeling give Gloucester gods Hamlet hath heart heaven Henry hero horror human Iago idea imagery images imagination Isabel justice King Lear lord lovers Lucio Macbeth Measure for Measure mercy mind modern moral murder nature never night Ophelia Othello passion Pericles pity play plot poet poetic poetry Prince Problem Comedies Prospero repentance Richard Richard II romantic satire scene sense Shake Shakespeare Shakespearean criticism Shakespearean tragedy shows Shylock soul speak speare speare's speech spirit stage story suffering symbolic Tempest tetralogy thee theme things thou thought tion tragic Troilus and Cressida truth villain whole Wilson Knight Winter's Tale words