His Infinite Variety: Major Shakespearean Criticism Since JohnsonPaul N. Siegel Lippincott, 1964 - 432 strán (strany) Webster and his big brother Arnold discover that camping out all night for the first time is a lot of fun, but also a little bit scary. |
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Strana 4
... criticism , with its own critical tenets and techniques , has seen Shakespeare differently . Speak- ing very broadly , for the neo - classical critics Shake- speare was an erratic genius whose plays were deficient in construction but ...
... criticism , with its own critical tenets and techniques , has seen Shakespeare differently . Speak- ing very broadly , for the neo - classical critics Shake- speare was an erratic genius whose plays were deficient in construction but ...
Strana 103
Major Shakespearean Criticism Since Johnson Paul N. Siegel. ON SHAKESPEARE'S ROMANTIC COMEDIES FEW CRITICS SINCE Samuel Johnson have shared his opinion that Shakespeare's comedies are superior to his tragedies . The romantic critics ...
Major Shakespearean Criticism Since Johnson Paul N. Siegel. ON SHAKESPEARE'S ROMANTIC COMEDIES FEW CRITICS SINCE Samuel Johnson have shared his opinion that Shakespeare's comedies are superior to his tragedies . The romantic critics ...
Strana 178
... critics disapprove of her because of the ' businesslike ' way in which she sets about saving her brother and assisting the Duke's plot . If Shakespeare's Jacobean audiences were as perverse as his modern critics , I can well under ...
... critics disapprove of her because of the ' businesslike ' way in which she sets about saving her brother and assisting the Duke's plot . If Shakespeare's Jacobean audiences were as perverse as his modern critics , I can well under ...
Obsah
The Purpose and Organization of the Book | 1 |
Shakspeares Dramas | 29 |
Shakespeares Genius | 35 |
Autorské práva | |
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Iné vydania - Zobraziť všetky
His Infinite Variety: Major Shakespearean Criticism Since Johnson Paul N. Siegel Zobrazenie úryvkov - 1972 |
Časté výrazy a frázy
A. C. Bradley action Angelo audience beauty Bradley called Cassio character Christian Claudio Coleridge comedy comic Cordelia Cymbeline cynicism death Desdemona despair devil divine drama dramatist dream Duke Edgar effect Elizabethan emotion evil eyes fact Falstaff father feeling give Gloucester gods Hamlet hath heart heaven Henry hero horror human Iago idea imagery images imagination Isabel justice King Lear lord lovers Lucio Macbeth Measure for Measure mercy mind modern moral murder nature never night Ophelia Othello passion Pericles pity play plot poet poetic poetry Prince Problem Comedies Prospero repentance Richard Richard II romantic satire scene sense Shake Shakespeare Shakespearean criticism Shakespearean tragedy shows Shylock soul speak speare speare's speech spirit stage story suffering symbolic Tempest tetralogy thee theme things thou thought tion tragic Troilus and Cressida truth villain whole Wilson Knight Winter's Tale words