His Infinite Variety: Major Shakespearean Criticism Since JohnsonPaul N. Siegel Lippincott, 1964 - 432 strán (strany) Webster and his big brother Arnold discover that camping out all night for the first time is a lot of fun, but also a little bit scary. |
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Strana 209
... impression . This central feeling is the impression of waste . With Shakespeare , at any rate , the pity and fear which are stirred by the tragic story seem to unite with , and even to merge in , a profound sense of sadness and mystery ...
... impression . This central feeling is the impression of waste . With Shakespeare , at any rate , the pity and fear which are stirred by the tragic story seem to unite with , and even to merge in , a profound sense of sadness and mystery ...
Strana 214
... impressions like these , it is important , on the other hand , to notice what we do not find there . We find ... impression ( which , it must be observed , is not purely fatalistic ) that a family , owing to some hideous crime or ...
... impressions like these , it is important , on the other hand , to notice what we do not find there . We find ... impression ( which , it must be observed , is not purely fatalistic ) that a family , owing to some hideous crime or ...
Strana 408
... impression of the whole . And that in The Tempest , at any rate , Shakespeare bent all his energies to the strengthening of this parting impression cannot be disputed . It begins with the embrace between the inveterate foes Prospero and ...
... impression of the whole . And that in The Tempest , at any rate , Shakespeare bent all his energies to the strengthening of this parting impression cannot be disputed . It begins with the embrace between the inveterate foes Prospero and ...
Obsah
The Purpose and Organization of the Book | 1 |
Shakspeares Dramas | 29 |
Shakespeares Genius | 35 |
Autorské práva | |
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Iné vydania - Zobraziť všetky
His Infinite Variety: Major Shakespearean Criticism Since Johnson Paul N. Siegel Zobrazenie úryvkov - 1972 |
Časté výrazy a frázy
A. C. Bradley action Angelo audience beauty Bradley called Cassio character Christian Claudio Coleridge comedy comic Cordelia Cymbeline cynicism death Desdemona despair devil divine drama dramatist dream Duke Edgar effect Elizabethan emotion evil eyes fact Falstaff father feeling give Gloucester gods Hamlet hath heart heaven Henry hero horror human Iago idea imagery images imagination Isabel justice King Lear lord lovers Lucio Macbeth Measure for Measure mercy mind modern moral murder nature never night Ophelia Othello passion Pericles pity play plot poet poetic poetry Prince Problem Comedies Prospero repentance Richard Richard II romantic satire scene sense Shake Shakespeare Shakespearean criticism Shakespearean tragedy shows Shylock soul speak speare speare's speech spirit stage story suffering symbolic Tempest tetralogy thee theme things thou thought tion tragic Troilus and Cressida truth villain whole Wilson Knight Winter's Tale words