His Infinite Variety: Major Shakespearean Criticism Since JohnsonPaul N. Siegel Lippincott, 1964 - 432 strán (strany) Webster and his big brother Arnold discover that camping out all night for the first time is a lot of fun, but also a little bit scary. |
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Strana 47
... tion impossible to psychology but rendered plausible by dramatic and poetic art : Shakespeare's object is " emotional illusion . " However far we may feel Professors Schücking and Stoll to be from a profound and comprehensive view of ...
... tion impossible to psychology but rendered plausible by dramatic and poetic art : Shakespeare's object is " emotional illusion . " However far we may feel Professors Schücking and Stoll to be from a profound and comprehensive view of ...
Strana 105
... tion works which differ from each other as widely as The Comedy of Errors , Measure for Measure , and The Tempest ; but if we cannot seize it as a whole , we may see from a little distance this side and that of comedy as understood by ...
... tion works which differ from each other as widely as The Comedy of Errors , Measure for Measure , and The Tempest ; but if we cannot seize it as a whole , we may see from a little distance this side and that of comedy as understood by ...
Strana 124
... tion in the ritual . Even in New Comedy the dramatist usually tries to bring his action as close to a tragic overthrow of the hero as he can get it , and reverses this movement as suddenly as possible . In Plautus the tricky slave is ...
... tion in the ritual . Even in New Comedy the dramatist usually tries to bring his action as close to a tragic overthrow of the hero as he can get it , and reverses this movement as suddenly as possible . In Plautus the tricky slave is ...
Obsah
The Purpose and Organization of the Book | 1 |
Shakspeares Dramas | 29 |
Shakespeares Genius | 35 |
Autorské práva | |
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Iné vydania - Zobraziť všetky
His Infinite Variety: Major Shakespearean Criticism Since Johnson Paul N. Siegel Zobrazenie úryvkov - 1972 |
Časté výrazy a frázy
A. C. Bradley action Angelo audience beauty Bradley called Cassio character Christian Claudio Coleridge comedy comic Cordelia Cymbeline cynicism death Desdemona despair devil divine drama dramatist dream Duke Edgar effect Elizabethan emotion evil eyes fact Falstaff father feeling give Gloucester gods Hamlet hath heart heaven Henry hero horror human Iago idea imagery images imagination Isabel justice King Lear lord lovers Lucio Macbeth Measure for Measure mercy mind modern moral murder nature never night Ophelia Othello passion Pericles pity play plot poet poetic poetry Prince Problem Comedies Prospero repentance Richard Richard II romantic satire scene sense Shake Shakespeare Shakespearean criticism Shakespearean tragedy shows Shylock soul speak speare speare's speech spirit stage story suffering symbolic Tempest tetralogy thee theme things thou thought tion tragic Troilus and Cressida truth villain whole Wilson Knight Winter's Tale words