His Infinite Variety: Major Shakespearean Criticism Since JohnsonPaul N. Siegel Lippincott, 1964 - 432 strán (strany) Webster and his big brother Arnold discover that camping out all night for the first time is a lot of fun, but also a little bit scary. |
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Strana 208
... tragic dimensions . And , conversely , if these persons were put in the place of the tragic heroes , the dramas in which they appeared would cease to be tragedies . Posthumus would never have acted as Othello did ; Othello , on his side ...
... tragic dimensions . And , conversely , if these persons were put in the place of the tragic heroes , the dramas in which they appeared would cease to be tragedies . Posthumus would never have acted as Othello did ; Othello , on his side ...
Strana 209
... tragic feelings . Shakespeare gives to Richard therefore a power which excites astonishment , and a courage which extorts admiration . He gives to Macbeth a similar , though less extraordinary , greatness , and adds to it a conscience ...
... tragic feelings . Shakespeare gives to Richard therefore a power which excites astonishment , and a courage which extorts admiration . He gives to Macbeth a similar , though less extraordinary , greatness , and adds to it a conscience ...
Strana 211
... tragic view can hardly have been in contradiction with this faith , but must have been included in it , and supplemented , not abolished , by addi- tional ideas . Two statements , next , may at once be made regarding the tragic fact as ...
... tragic view can hardly have been in contradiction with this faith , but must have been included in it , and supplemented , not abolished , by addi- tional ideas . Two statements , next , may at once be made regarding the tragic fact as ...
Obsah
The Purpose and Organization of the Book | 1 |
Shakspeares Dramas | 29 |
Shakespeares Genius | 35 |
Autorské práva | |
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Iné vydania - Zobraziť všetky
His Infinite Variety: Major Shakespearean Criticism Since Johnson Paul N. Siegel Zobrazenie úryvkov - 1972 |
Časté výrazy a frázy
A. C. Bradley action Angelo audience beauty Bradley called Cassio character Christian Claudio Coleridge comedy comic Cordelia Cymbeline cynicism death Desdemona despair devil divine drama dramatist dream Duke Edgar effect Elizabethan emotion evil eyes fact Falstaff father feeling give Gloucester gods Hamlet hath heart heaven Henry hero horror human Iago idea imagery images imagination Isabel justice King Lear lord lovers Lucio Macbeth Measure for Measure mercy mind modern moral murder nature never night Ophelia Othello passion Pericles pity play plot poet poetic poetry Prince Problem Comedies Prospero repentance Richard Richard II romantic satire scene sense Shake Shakespeare Shakespearean criticism Shakespearean tragedy shows Shylock soul speak speare speare's speech spirit stage story suffering symbolic Tempest tetralogy thee theme things thou thought tion tragic Troilus and Cressida truth villain whole Wilson Knight Winter's Tale words