Shifting the Scene: Shakespeare in European CultureLadina Bezzola Lambert, Balz Engler University of Delaware Press, 2004 - 308 strán (strany) The title of this collection, Shifting the Scene, adapts words from one of the Choruses in Henry V. Its essays try, without denying authority to the text and the theatre, to widen the scene of inquiry to include other institutions, like education, politics, language, and the arts, and to juxtapose the constructions of Shakespeare and his works that have been produced by them. However, as in Henry V, there is also a geographical dimension. The collection goes beyond England and the English-speaking world and focuses on Europe (including Britain). It brings together 17 essays by leading authorities and promising young scholars in the field |
Obsah
| 11 | |
| 21 | |
| 41 | |
The Debate over a Royal Translation of Hamlet | 67 |
The Politics of Language | 78 |
The CloudScene in Hamlet as a Hungarian Parable | 95 |
Millennium British Shakespeares Amateur and Professional in the New Century | 113 |
John Crankos Romeo and Juliet Venice 1958 | 129 |
Shakespeare and Eminescu | 182 |
Shakespeare the Lambs and French Education | 193 |
Indoctrination or Creativity? | 205 |
Sexual Morality and Critical Traditions | 219 |
Kozintsevs Social Translation | 230 |
The Shakespearean Sound in Translation | 239 |
Translation and Performance | 258 |
Bibliography | 282 |
Organic Shakespeare for the Folk | 140 |
Shakespeare in SwissGerman Mundart | 152 |
National Identity and the Teaching of Shakespeare | 167 |
Notes on Contributors | 297 |
Index | 302 |
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actors adaptations amateur Arany audience ballet Britain British Bulgarian celebrations century characters cloud-scene Comércio do Porto contemporary context course Cranko's critical cultural curriculum Cymbeline dialect Diário discourse drama early modern edition effect Elizabethan England English Europe European canon French German German Shakespeare Gollancz Hamlet Henry High-German ideological Illyria interpretation Italian Julius Caesar King Lear Kozintsev Lambs language LeWinter linguistic literary literature London Macbeth meaning ment Michael Dobson Möbius strip moral national identity Othello passion performance poet political Polonius Portuguese production question readers rhetoric Richard Richard III role Romanian Romeo and Juliet Savits scene September 1877 sexual Shake Shakespeare and Cervantes Shakespeare Stage Shakespeare's plays Shakespeare's text social Spain Spanish speare speare's speech Swiss Swiss-German teachers teaching tercentenary theater theatrical thou tion tradition tragedy translation University Valeri Petrov verse Weimar Winter's Tale words
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Strana 263 - Is this a dagger which I see before me, The handle toward my hand ? Come, let me clutch thee. I have thee not, and yet I see thee still. Art thou not, fatal vision, sensible To feeling as to sight ? or art thou but A dagger of the mind, a false creation, Proceeding from the heat-oppressed brain ? I see thee yet, in form as palpable As this which now I draw.
Strana 247 - tis done, then 'twere well It were done quickly; if the assassination Could trammel up the consequence, and catch With his surcease success; that but this blow Might be the be-all and the end-all here, But here, upon this bank and shoal of time, We'd jump the life to come.
Strana 104 - With trees upon't, that nod unto the world, And mock our eyes with air.
Strana 247 - Not bear the knife myself. Besides, this Duncan Hath borne his faculties so meek, hath been So clear in his great office...
Strana 263 - Mine eyes are made the fools o' the other senses, Or else worth all the rest; I see thee still, And on thy blade and dudgeon gouts of blood, Which was not so before. There's no such thing: It is the bloody business which informs Thus to mine eyes.
Strana 96 - You would play upon me; you would seem to know my stops; you would pluck out the heart of my mystery; you would sound me from my lowest note to the top of my compass; and there is much music, excellent voice, in this little organ, yet cannot you make it speak. 'Sblood, do you think I am easier to be played on than a pipe? Call me what instrument you will, though you can fret me, you cannot play upon me.
Strana 47 - Not marble, nor the gilded monuments Of princes, shall outlive this powerful rhyme; But you shall shine more bright in these contents Than unswept stone besmear'd with sluttish time. When wasteful war shall statues overturn, And broils root out the work of masonry, Nor Mars his sword nor war's quick fire shall burn The living record of your memory. 'Gainst death and all-oblivious...
Strana 48 - Though I, once gone, to all the world must die : The earth can yield me but a common grave. When you entombed in men's eyes shall lie. Your monument shall be my gentle verse, Which eyes not yet created shall o'er-read ; And tongues to be, your being shall rehearse, When all the breathers of this world are dead ; You still shall live (such virtue hath my pen) Where breath most breathes, — even in the mouths of men.
Strana 241 - O, reason not the need ! Our basest beggars Are in the poorest thing superfluous. Allow" not nature more than nature needs, Man's life is cheap as beast's. Thou art a lady ; If only to go warm were gorgeous, Why, nature needs not what thou gorgeous wear'st, Which scarcely keeps thee warm.
Strana 45 - O! that this too too solid flesh would melt, Thaw and resolve itself into a dew; Or that the Everlasting had not fix'd His canon 'gainst self-slaughter!