"Secret, Black, and Midnight Hags": The Conception, Presentation and Functions of Witches in English Renaissance DramaBraumüller, 2005 - 439 strán (strany) |
Vyhľadávanie v obsahu knihy
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Strana 88
... Prospero's speech of renunciation and not with Sycorax ( see Harris 134-35 ) . Not only as a re- sult of their origins but also because of their contents they cast a shadow of ambiguity over Prospero's powers . Especially the ...
... Prospero's speech of renunciation and not with Sycorax ( see Harris 134-35 ) . Not only as a re- sult of their origins but also because of their contents they cast a shadow of ambiguity over Prospero's powers . Especially the ...
Strana 90
... Prospero in his cell and was instructed by Miranda in their language ( 1.2.345–62 ) . It is also true that Prospero angrily threatens Ariel , who demands his liberty at the beginning of the play . Nevertheless , this anger seems to be ...
... Prospero in his cell and was instructed by Miranda in their language ( 1.2.345–62 ) . It is also true that Prospero angrily threatens Ariel , who demands his liberty at the beginning of the play . Nevertheless , this anger seems to be ...
Strana 335
... Prospero's reliance on spirits for the practice of magic evokes associations with diabolically inspired conjuration , and in order to offset this suspicion Shakespeare does not show Prospero's performance of magical ritual but only its ...
... Prospero's reliance on spirits for the practice of magic evokes associations with diabolically inspired conjuration , and in order to offset this suspicion Shakespeare does not show Prospero's performance of magical ritual but only its ...
Obsah
Witchcraft in the European Context | 13 |
Malevolent Witches in English Renaissance Drama | 55 |
Conclusions | 291 |
Autorské práva | |
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Časté výrazy a frázy
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