The Cambridge Introduction to Shakespeare's ComediesCambridge University Press, 7. 4. 2008 - 153 strán (strany) Why did theatre audiences laugh in Shakespeare's day? Why do they still laugh now? What did Shakespeare do with the conventions of comedy that he inherited, so that his plays continue to amuse and move audiences? What do his comedies have to say about love, sex, gender, power, family, community, and class? What place have pain, cruelty, and even death in a comedy? Why all those puns? In a survey that travels from Shakespeare's earliest experiments in farce and courtly love-stories to the great romantic comedies of his middle years and the mould-breaking experiments of his last decade's work, this book addresses these vital questions. Organised thematically, and covering all Shakespeare's comedies from the beginning to the end of his career, it provides readers with a map of the playwright's comic styles, showing how he built on comedic conventions as he further enriched the possibilities of the genre. |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 5 z 24.
Strana vii
... Night's Dream, The Merchant of Venice 35 4 Comedy and language: Love's Labour's Lost 58 5 Romantic comedy: Much Ado About Nothing, As You LikeIt, Twelfth Night 71 6 Problematic plots and endings: clowning and comedy post-Hamlet: Measure ...
... Night's Dream, The Merchant of Venice 35 4 Comedy and language: Love's Labour's Lost 58 5 Romantic comedy: Much Ado About Nothing, As You LikeIt, Twelfth Night 71 6 Problematic plots and endings: clowning and comedy post-Hamlet: Measure ...
Strana 2
... Night's Dream. After this, three other comic models often come to mind: Malvolio's letter scene and cross-gartered appearance before Olivia (Twelfth Night); Beatrice and Benedick's volley of sarcastic put-downs and their 'overhearing ...
... Night's Dream. After this, three other comic models often come to mind: Malvolio's letter scene and cross-gartered appearance before Olivia (Twelfth Night); Beatrice and Benedick's volley of sarcastic put-downs and their 'overhearing ...
Strana 3
... Twelfth Night: 'agood practice in it to make the steward believe his lady widow was in love with him, by counterfeiting a letter as from his lady, in general terms telling him what she liked best in him, and prescribing his gesture in ...
... Twelfth Night: 'agood practice in it to make the steward believe his lady widow was in love with him, by counterfeiting a letter as from his lady, in general terms telling him what she liked best in him, and prescribing his gesture in ...
Strana 9
... Night 3.1 Feste draws our attention tothis role inhis conversationwithViola;inAsYouLikeItTouchstone's'moralising ... (Twelfth Night 1.5.76), and an accomplished verbal quibbler, he is the locus of any satirical protest that the successful ...
... Night 3.1 Feste draws our attention tothis role inhis conversationwithViola;inAsYouLikeItTouchstone's'moralising ... (Twelfth Night 1.5.76), and an accomplished verbal quibbler, he is the locus of any satirical protest that the successful ...
Strana 11
... Twelfth Night are a good example of such varied dramaturgy. Two scenes establish the poles of the romantic fable – the self-absorbed Count Orsino and the destitute Viola; and then there follows a scene introducing the roisterers, Sir ...
... Twelfth Night are a good example of such varied dramaturgy. Two scenes establish the poles of the romantic fable – the self-absorbed Count Orsino and the destitute Viola; and then there follows a scene introducing the roisterers, Sir ...
Obsah
1 | |
2 Farce | 16 |
3 Courtly lovers and the real world | 35 |
4 Comedy and language | 58 |
5 Romantic comedy | 71 |
6 Problematic plots and endings | 103 |
7 Afterlives | 124 |
Conclusion | 138 |
Further reading | 141 |
Notes | 143 |
Index | 151 |
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Populárne pasáže
Strana 54 - Shylock, we would have moneys : ' you say so ; You, that did void your rheum upon my beard And foot me as you spurn a stranger cur Over your threshold : moneys is your suit. What should I say to you ? Should I not say ' Hath a dog money ? is it possible A cur can lend three thousand ducats...
Strana 53 - How like a fawning publican he looks ! I hate him for he is a Christian; But more for that in low simplicity He lends out money gratis, and brings down The rate of usance here with us in Venice. If I can catch him once upon the hip, I will feed fat the ancient grudge I bear him.
Strana 48 - Lovers, and madmen, have such seething brains, Such shaping fantasies, that apprehend More than cool reason ever comprehends. The lunatic, the lover, and the poet, Are of imagination all compact. One sees more devils than vast hell can hold ; That is, the madman : the lover, all as frantic, Sees Helen's beauty in a brow of Egypt...
Strana 25 - I will be master of what is mine own. She is my goods, my chattels; she is my house, My household stuff, my field, my barn, My horse, my ox, my ass, my anything...
Strana 56 - The man that hath no music in himself, Nor is not mov'd with concord of sweet sounds, Is fit for treasons, stratagems, and spoils ; The motions of his spirit are dull as night, And his affections dark as Erebus : Let no such man be trusted.
Strana 45 - Be kind and courteous to this gentleman ; Hop in his walks, and gambol in his eyes ; Feed him with apricocks and dewberries, -. With purple grapes, green figs, and mulberries. The honey-bags steal from the humble-bees, And for night-tapers crop their waxen thighs, And light them at the fiery glow-worm's eyes...
Strana 64 - The endeavour of this present breath may buy That honour, which shall bate his scythe's keen edge, And make us heirs of all eternity.
Strana 7 - But besides these gross absurdities, how all their plays be neither right tragedies, nor right comedies: mingling kings and clowns, not because the matter so carrieth it: but thrust in clowns by head and shoulders, to play a part in majestical matters, with neither decency nor discretion.
Strana 104 - ... is! my gorge rises at it. Here hung those lips that I have kissed I know not how oft. — Where be your gibes now? your gambols? your songs? your flashes of merriment, that were wont to set the table on a roar? Not one now, to mock your own grinning? quite chop-fallen? Now get you to my lady's chamber, and tell her, let her paint an inch thick, to this favour she must come; make her laugh at that. — Prithee, Horatio, tell me one thing. HOR. What's that, my lord? HAM. Dost thou think Alexander...