Stages and Playgoers: From Guild Plays to ShakespeareMcGill-Queen's Press - MQUP, 2002 - 241 strán (strany) The tradition of direct address has little to do with the frequently touted notion of the "fluidity of the Renaissance stage": the point is not that stage characters can talk to the audience but that they actually do reach out to the playgoers and in so doing import aspects of the audience world to the stage. These exchanges appear frequently in late-medieval drama and continue to be crucial stage strategies for Shakespeare, in whose work they grow and change. By examining a native dramatic tradition not fully explored before, Hill proposes new ways to imagine historical and contemporary performances. Stages and Playgoers will be invaluable for students of cultural studies, medieval and Renaissance studies, theatre history, and stagecraft. |
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... Hands , formerly of Sheffield and Oxford universities , who offered me insights on the language of the guild plays . I am grateful to Olga Domján for her meticulous and thoughtful reading as she prepared the book for typesetting , to ...
... Hands , formerly of Sheffield and Oxford universities , who offered me insights on the language of the guild plays . I am grateful to Olga Domján for her meticulous and thoughtful reading as she prepared the book for typesetting , to ...
Strana 3
... hand / Syn last time I offyrd " ( 104-5 ) .2 In addition to the allusions to local life and its con- cerns , there are frequent occasions when the characters talk directly to the Yorkshire crowds . Open acknowledgement of audience pres ...
... hand / Syn last time I offyrd " ( 104-5 ) .2 In addition to the allusions to local life and its con- cerns , there are frequent occasions when the characters talk directly to the Yorkshire crowds . Open acknowledgement of audience pres ...
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