Likenesses of Truth in Elizabethan and Restoration DramaClarendon Press, 1972 - 174 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 24.
Strana 9
... emotional realities and literal truths some modern critics limit their emphasis to one or the other , and we get discussions of , say , Othello , which deny the existence of its emotional realities , ignore the sheer pity and terror ...
... emotional realities and literal truths some modern critics limit their emphasis to one or the other , and we get discussions of , say , Othello , which deny the existence of its emotional realities , ignore the sheer pity and terror ...
Strana 161
... emotional appeal of faceless , soulless automatons . They never come to life dramatically or emotionally . Even in their love affairs they are as malicious , cowardly , and cruel as they are when , in a group , they humiliate or torture ...
... emotional appeal of faceless , soulless automatons . They never come to life dramatically or emotionally . Even in their love affairs they are as malicious , cowardly , and cruel as they are when , in a group , they humiliate or torture ...
Strana 162
... emotion at their deaths as one might feel while watching the death throes of a swarm of hornets . By contrast , the stage ... emotional responses which this death generates in the theatre and which are such completely human ones — grief ...
... emotion at their deaths as one might feel while watching the death throes of a swarm of hornets . By contrast , the stage ... emotional responses which this death generates in the theatre and which are such completely human ones — grief ...
Obsah
some dramatic and critical illusions and realities I | 1 |
theatrical illusions and realities in | 27 |
tragic facts | 51 |
Autorské práva | |
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action actor alike Angelica Angelo argues audience behaviour Bellinda Brutus Cassius characters Claudio Collier comic Congreve Congreve's death dilemmas discussion dissembling Dorimant Dorimant's dramatic Duchess Duke Duke's Elizabethan emotional equivocation Etherege Etherege's fact Fainall Fainall's Faustus fools half of Measure Hamlet hero heroine human experience ideal illusions imagination Isabella Jeremy Collier Jonson judgement Julius Caesar justice King Lear Kyd's L. C. Knights Lady literal London Love for Love Loveit Macbeth Malcontent marriage Marston's Measure for Measure mercy Midsummer Night's Dream Millamant Mirabell Mirabell's Mode modern criticism moral moralistic nature never Oberon passion play play's playwright poet point of view Prospero reality religious imagery responses Restoration comedy Revenge Romeo and Juliet says scene seems Shakespeare Shakespeare gives shows social Spanish Tragedy stage Tempest theatre theatrical things tion tragic true truth ultimate Valentine Valentine's vices villain virtue William Congreve words