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" Poetry is not a turning loose of emotion, but an escape from emotion; it is not the expression of personality, but an escape from personality. But, of course, only those who have personality and emotions know what it means to want to escape from these... "
Time and the Erotic in Horace's Odes - Strana 6
podľa Ronnie Ancona - 1994 - Počet stránok 186
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To-day, Zväzok 9

1922 - Počet stránok 276
...emotion ; it is not the expression of personality, but an escape from personality. But, of course, only those who have personality and emotions know what it means to want to escape from these things. TS ELIOT BOOKS FICTION. THE GARDEN PARTY, and other Stories. By Katherine Mansfield. (Constable...
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Criticism in America, Its Functions and Status

Irving Babbitt, Van Wyck Brooks, William Crary Brownell, Ernest Augustus Boyd, Thomas Stearns Eliot, Henry Louis Mencken, Stuart Pratt Sherman, Joel Elias Spingarn, George Edward Woodberry - 1924 - Počet stránok 342
...from emotion; it is not the expression of personality, but an escape from personality. But, of course, only those who have personality and emotions know what it means to want to escape from these things. m This essay proposes to halt at the frontier of metaphysics or mysticism, and confine itself...
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Criticism in America: Its Function and Status; Essays

Irving Babbitt - 1924 - Počet stránok 342
...emotion; it is not the expression of personality, ..but an escape from personality. But, of course, only those who have personality and emotions know what it means to want to escape from these things. 226 in This essay proposes to halt at the frontier of metaphysics or mysticism, and confine...
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Contemporary Essays

William Thomson Hastings - 1928 - Počet stránok 454
...from emotion; it is not the expression of personality, but an escape from personality. But, of course, only those who have personality and emotions know what it means to want to escape from these things. 6 tt mvs bun Set6rfp6i> TI teal dn-adfa iarif ' This essay proposes to halt at the frontier...
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The Ordeal of Robert Frost: The Poet and His Poetics

Mark Richardson - 1997 - Počet stránok 296
...from emotion; it is not the expression of personality, but an escape from personality. But, of course, only those who have personality and emotions know what it means to want to escape from these things" (Selected Essays 10-1 1 ). He has in mind exactly the sort of readers and writers Frost acknowledges...
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The Sacred Wood and Major Early Essays

T. S. Eliot - 1997 - Počet stránok 146
...from emotion; it is not the expression of personality, hut an escape from personality. But, of course, only those who have personality and emotions know what it means to want to escape from these things. IIl 6 Se ims an»s deioTepov n KOI'L airaQes Am* This essay proposes to halt at the frontier...
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Wilde's Intentions: The Artist in His Criticism

Lawrence Danson - 1997 - Počet stránok 214
...from emotion; it is not the expression of personality, but an escape from personality. But, of course, only those who have personality and emotions know what it means to want to escape those things. '^ This is an earnest way of saying, as Gilbert says in The Critic as Artist', that 'All...
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The Future of Modernism

Hugh Witemeyer - 1997 - Počet stránok 284
...language: a prostitute's lips become "the vehicle of a vague speech."36 "Only those," as Eliot remarked, "who have personality and emotions know what it means to want to escape from these things."37 Stephen Dedalus's desire to escape — escape from problems for which, at the time, Freud...
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Modernism: An Anthology of Sources and Documents

Vassiliki Kolocotroni - 1998 - Počet stránok 658
...emotion; it is not the expression of personality, but an escape from personality'. But, of course, only those who have personality and emotions know what it means to want to escape from these things. ó ôè voûç iacoç oevóiepóv TV Kai àrcaGéç èoiw. This essay proposes to halt at the...
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Eliot's Dark Angel: Intersections of Life and Art

Ronald Schuchard - 1999 - Počet stránok 293
...point of escape from the "acute discomfort" of personality into the impersonality of art. As he says, "only those who have personality and emotions know what it means to want to escape from these things" (SE 10- n).The critic aims not only to record the unique complex of personal and artistic voices...
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