An Essay on the Nature, the End, and the Means of Imitation in the Fine Arts

Smith, Elder and Company, 1837 - 468 strán (strany)

INTRODUCTION	1

PART I	9

Of the idea to be formed concerning	17

That the resemblance which	24

The consequences drawn from	31

Nature has placed separations	40

Of unity and variety in imitation	61

Concerning the nature and spirit	70

Of the inferiority of the works	226

pass that of nature	244

Of the originating cause through	256

The works of ancient art shown	264

The notion of the ideal as enter	273

PART III	287

Of convention understood as	293

Of poetical conventions or	301

Of the erroneous means by which	81

In every art there must be with	113

It is the fictious and the incom	121

In what manner and by what	128

Of illusion in the works of imi	136

The pleasure of imitation is pro	156

The comparative rank assigned	164

The result of the preceding facts	172

On the right understanding accord	186

CHAPTER IIIOf the superiority in imitation	192

cannot be shown and what name is given to it	200

Of the ideal Definition of	210

Ideal imitation the result of a gene	219

Of the act of generalizing consi	307

Of the act of generalizing in	321

Of the two customary phrases	336

Of the act of transforming	358

On the employment of meta	367

Of the act of transforming	378

Of transformation in the historical	388

Of certain proprieties to be	403

Why the employment of modern	413

Of the effect of symbolical com	420

Explains why symbolical meta	431

On certain practical means	440

Continuation of the same sub	456

Názov	An Essay on the Nature, the End, and the Means of Imitation in the Fine Arts
Autor	Quatremère de Quincy (M., Antoine-Chrysostome)
Preložil/a	J. C. Kent
Vydavateľ	Smith, Elder and Company, 1837
Zdroj originálu:	Britská knižnica
Digitalizované	19. aug. 2019
Dĺžka	468 strán (strany)

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