Then, like a bow long forced into a curve, The mind, released from too constrained a nerve, Flew to its first position, with a spring That made the vaulted roofs of Pleasure ring. 625 His court, the dissolute and hateful school Of Wantonness, where vice was taught by rule, Swarmed with a scribbling herd, as deep inlaid 630 From these a long succession, in the rage Of rank obscenity, debauched their age The abuses of her sacred charge, the press, The Muse instructed a well nurtured train In him 635 640 645 In verse well disciplined, complete, compact, That, quite eclipsing Pleasure's painted face, Levied a tax of wonder and applause, 650 E'en on the fools that trampled on their laws. That constellation set, the world in vain 660 Must hope to look upon their like again. A. Are we then left-B. Not wholly in the dark: Wit now and then, struck smartly, shows a spark, From total night and absolute disgrace. 665 While servile trick and imitative knack Confine the million in the beaten track, Perhaps some courser who disdains the road, 670 CHURCHILL, himself unconscious of his powers, And, like a scattered seed at random sown, 675 If brighter beams than all he threw not forth, 680 'Twas negligence in him, not want of worth. 685 He struck the lyre in such a careless mood, 690 Forms, opens, and gives scent to every flower, The dancing Naiads through the dewy meads, She fills profuse ten thousand little throats With music, modulating all their notes, 695 And charms the woodland scenes, and wilds unknown, But seldom (as if fearful of expense) 700 Brings colours dipped in Heaven, that never die; 705 Looks to the westward from the dappled east, 710 On every scene and subject it surveys: Thus graced, the man asserts a poet's name, And the world cheerfully admits the claim. 715 A skilful guide into poetic ground! The flowers would spring where'er she deigned to stray, And every Muse attend her in her way. Virtue indeed meets many a rhyming friend, 720 And many a compliment politely penned, The shelves are full, all other themes are sped, 725 730 In tales, in trifles, and in children's play; And 'tis the sad complaint, and almost true, Whate'er we write, we bring forth nothing new. 'Twere new indeed to see a bard all fire, Touched with a coal from Heaven, assume the lyre, 735 And tell the world, still kindling as he sung, By flowing numbers and a flowery style, Which now and then sweet Poetry may cure, 740 Or, if to see the name of idol self, Stamped on the well-bound quarto, grace the shelf, 745 750 To trace Him in his word, his works, his ways! Then spread the rich discovery, and invite Mankind to share in the divine delight; 755 Is profanation of the basest kind Proof of a trifling and a worthless mind. A. Hail, Sternhold then, and, Hopkins, hail! B. Amen. 760 If Flattery, Folly, Lust, employ the pen; If Acrimony, Slander, and Abuse, Give it a charge to blacken and traduce; Though Butler's wit, Pope's numbers, Prior's ease, 765 Adorn the polished periods as they fall, One madrigal of theirs is worth them all. A. 'Twould thin the ranks of the poetic tribe, To dash the pen through all that you proscribe, B. No matter;-we could shift when they were not; 770 And should, no doubt, if they were all forgot. THE PROGRESS OF ERROR. 'Si quid loquar audiendum.' HOR. Lib. iv. Od. 2. [ARGUMENT:-Origin of error, 1-Man endowed with free will, 23Motives for action, 45—Allurements of pleasure, 57—Music, 63—The chase, 82-Such amusements unsuited to the clergy, 96-Occiduus, 124 -Force of example, 142-Sabbath desecration, 152—Cards and dancing, 169-Drunkenness and trifling, 199—Gluttony, 209-Virtuous pleasures, 243-Excess in pleasure pernicious, 269-Corrupt works of imagination, 307-Lord Chesterfield, 335-Importance of early education, 353Foreign travel, 369-Accomplishments in the place of virtues, 417— Qualifications of the Biblical critic, 452-Power of the Press, 460— Effects of enthusiasm, 470-Partiality of authors for their literary progeny, 516-The dunce impatient of contradiction, 536—Moral and intellectual errors produce each other, 564-Force of habit, 580.] SING, Muse, (if such a theme, so dark, so long, May find a Muse to grace it with a song) By what unseen and unsuspected arts The serpent Error twines round human hearts; 5 That not a glimpse of genuine light pervades, ΤΟ |