Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Zväzok 63Gale Research Company, 1984 |
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Strana 178
... language expres- sive of class relationships to satisfy the evidential demands . of the majority of critics . Most of this language is spoken by or through Jack Cade and his confederates , who supply a variety of statements expressive ...
... language expres- sive of class relationships to satisfy the evidential demands . of the majority of critics . Most of this language is spoken by or through Jack Cade and his confederates , who supply a variety of statements expressive ...
Strana 179
... language of radical differentiation , cleaving society into the haves and have nots , the respected and the con- temned . It was a language pregnant with conflict , align- ing the " richer " over against the " poorer , " the " better ...
... language of radical differentiation , cleaving society into the haves and have nots , the respected and the con- temned . It was a language pregnant with conflict , align- ing the " richer " over against the " poorer , " the " better ...
Strana 318
... language , the phenomenon of on- stage violence can , and often does , powerfully alter the semiotics of drama . Elaine Scarry has written eloquently of pain's inexpress- ibility : " Physical pain does not simply resist language but ...
... language , the phenomenon of on- stage violence can , and often does , powerfully alter the semiotics of drama . Elaine Scarry has written eloquently of pain's inexpress- ibility : " Physical pain does not simply resist language but ...
Obsah
Character Studies | 21 |
Gender Issues | 41 |
Marriage | 84 |
Autorské práva | |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Zväzok 28 Zobrazenie úryvkov - 1984 |
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action actors All's Antony Antony's audience becomes bed-trick Bertram blood Brutus Brutus's Cade Cade's Cassius ceremony characters claim comedy comic conspirators Coriolanus Countess critics death desire Diana dramatic Duke Edward Elizabethan England English Epicurean essay father female feminine French gender Gentlemen of Verona Gloucester Helena Henry Henry VI Henry's heroic honor husband irony Jack Cade Joan Joan's Julia Julius Caesar King King's Lafew language Lavatch letter London lord male Mannerist Margaret marriage masculine means moral murder nature noble oath Parolles play play's plebeians plot Plutarch political Portia problem Problem Comedies Proteus Queen reading Renaissance rhetoric Richard Richard III ritual role Roman Rome says scene seems sexual Shake Shakespeare Silvia social soliloquy speak speare speare's speech spirit stage Suffolk suggests Talbot Tamburlaine theater theatrical thee thou Thurio tion tragedy unnatural Valentine virginity virtue Warwick wife woman women words York Yorkist