A philosophical enquiry [&c.].1827 |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 5 z 16.
Strana
... Imitation , and Ambition ib . 14. The effects of Sympathy in the Distresses of others 15. Of the Effects of Tragedy 16. Imitation 17. Ambition 18. The Recapitulation 26 28 30 31 33 ib . 34 25 8688299 ** 959 36 37 38 39 40 42 44 45 47 48 ...
... Imitation , and Ambition ib . 14. The effects of Sympathy in the Distresses of others 15. Of the Effects of Tragedy 16. Imitation 17. Ambition 18. The Recapitulation 26 28 30 31 33 ib . 34 25 8688299 ** 959 36 37 38 39 40 42 44 45 47 48 ...
Strana 12
... imitation has to the original : the ima- gination , I conceive , can have no pleasure but what results from one or other of these causes . And these causes operate pretty uniformly upon all men , because they operate by principles in ...
... imitation has to the original : the ima- gination , I conceive , can have no pleasure but what results from one or other of these causes . And these causes operate pretty uniformly upon all men , because they operate by principles in ...
Strana 14
... imitation , ever did . Some time after we suppose that this novice lights upon a more artificial work of the same nature ; he now begins to look with contempt on what he ad- mired at first ; not that he admired it even then for its ...
... imitation , ever did . Some time after we suppose that this novice lights upon a more artificial work of the same nature ; he now begins to look with contempt on what he ad- mired at first ; not that he admired it even then for its ...
Strana 16
... he has never exa- mined the grounds of probability . He perhaps reads of a shipwreck on the coast of Bohemia ; wholly taken up with so interesting an event , and only solicitous for the fate of his hero , he 16 INTRODUCTION . Imitation.
... he has never exa- mined the grounds of probability . He perhaps reads of a shipwreck on the coast of Bohemia ; wholly taken up with so interesting an event , and only solicitous for the fate of his hero , he 16 INTRODUCTION . Imitation.
Strana 19
... imitation . Indeed it is for the most part in our skill in manners , and in the observances of time and place , and of decency in general , which is only to be learned in those schools to which Ho- raće recommends us , that what is ...
... imitation . Indeed it is for the most part in our skill in manners , and in the observances of time and place , and of decency in general , which is only to be learned in those schools to which Ho- raće recommends us , that what is ...
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Časté výrazy a frázy
admiration affected agreeable Albunea animals appear arises body called capable cause of beauty clear colours common complicated kind considerable considered darkness degree delight disposition emotion excite fear fect feeling figure fitness ginal give grand grandeur horror human ideas of pain images imagination imita imitation indifference infinite infinity inquiry kind light lively colours Lucretius manner means measures mind motion nature neral ness never object obscure observed occasions operate pain and danger painter painting papillæ particular pathy Phlegethon plea pleasing poetry positive pain positive pleasure Priam principle produce proportion purposes qualities quantity racters reality reason relaxation remarkable resemblance rience riety SECT sensation sense sensible shew sider simple smooth society sophism sort sound species strength striking strong sublime and beautiful suffer suppose sure sweet Taste terrible terror things tion tremely turally uniform unoperative violent whilst whole words
Populárne pasáže
Strana 54 - The other shape, If shape it might be call'd, that shape had none Distinguishable in member, joint, or limb, Or substance might be call'd that shadow seem'd, For each seem'd either; black it stood as night, Fierce as ten furies, terrible as hell And shook a dreadful dart; what seem'd his head The likeness of a kingly crown had on.
Strana 119 - And ever, against eating cares, Lap me in soft Lydian airs, Married to immortal verse, Such as the meeting soul may pierce, In notes with many a winding bout Of linked sweetness long drawn out With wanton heed and giddy cunning, The melting voice through mazes running, Untwisting all the chains that tie The hidden soul of harmony; That Orpheus...
Strana 56 - Less than archangel ruined, and the excess Of glory obscured ; as when the sun, new risen, Looks through the horizontal misty air Shorn of his beams, or from behind the moon, In dim eclipse, disastrous twilight sheds On half the nations, and with fear of change Perplexes monarchs.
Strana 58 - In thoughts from the visions of the night, When deep sleep falleth on men, Fear came upon me, and trembling, Which made all my bones to shake. Then a spirit passed before my face; The hair of my flesh stood up : It stood still, but I could not discern the form thereof: An image was before mine eyes, There was silence, and I heard a voice, saying, Shall mortal man be more just than God?
Strana 52 - And to things of great dimensions, if we annex an adventitious idea of terror, they become without comparison greater. A level plain of a vast extent on land, is certainly no mean idea...
Strana 65 - Tremble, thou earth, at the presence of the Lord, at the presence of the God of Jacob; 8.
Strana 56 - Here is a very noble picture; and in what does this poetical picture consist? in images of a tower, an archangel, the sun rising through mists, or in an eclipse, the ruin of monarchs, and the revolutions of kingdoms. The mind is hurried out of itself by a crowd of great and confused images, which affect because they are crowded and confused.
Strana 109 - There is a wide difference between admiration and love. The sublime, which is the cause of the former, always dwells on great objects, and terrible ; the latter on small ones, and pleasing ; we submit to what we admire, but we love what submits to us; in one case we are forced, in the other we are nattered, into compliance.
Strana 34 - When danger or pain press too nearly, they are incapable of giving any delight, and are simply terrible ; but at certain distances, and with certain modifications, they may be, and they are, delightful, as we every day experience.
Strana 33 - WHATEVER is fitted in any sort to excite the ideas of pain and danger, that is to say, whatever is in any sort terrible, or is conversant about terrible objects, or operates in a manner analogous to terrour, is a source of the sublime ; that is, it is productive of the strongest emotion which the mind is capable of feeling.