Shakespeare: A Dramatic LifeSinclair-Stevenson, 1994 - 403 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 52.
Strana 56
... comic possibilities of the notion - frequently characters voice the fear that they are dreaming , mad , or the victims of evil practices . The theme of madness reaches its climax in Act 4 , Scene 4 , when Dr Pinch is brought in to cure ...
... comic possibilities of the notion - frequently characters voice the fear that they are dreaming , mad , or the victims of evil practices . The theme of madness reaches its climax in Act 4 , Scene 4 , when Dr Pinch is brought in to cure ...
Strana 57
... comic point to the next . But Shakespeare , already a master of dramatic rhythm , knew that the pace would become wearisome if it remained unvaried . From time to time he relaxes the pace of the ongoing action to allow the inclusion of ...
... comic point to the next . But Shakespeare , already a master of dramatic rhythm , knew that the pace would become wearisome if it remained unvaried . From time to time he relaxes the pace of the ongoing action to allow the inclusion of ...
Strana 189
... comic bathos of ' Well , he's not here I seek for ' , by Ford's beating Falstaff in his disguise as the old woman of Brentford , and by Ford's search of the house , expertly provides opportunities for more robustly physical comedy . And ...
... comic bathos of ' Well , he's not here I seek for ' , by Ford's beating Falstaff in his disguise as the old woman of Brentford , and by Ford's search of the house , expertly provides opportunities for more robustly physical comedy . And ...
Obsah
EIGHT Comedies of Venice Messina France Illyria | 158 |
SIXTEEN A Lost Play Based on Don Quixote One Last English | 372 |
Index | 393 |
Autorské práva | |
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Časté výrazy a frázy
action actors Antony appears audience becomes believe body bring called cause characters claim closing comedy comes comic create criticism daughter dead death direct Duke early edition effect Elizabethan emotional English episode expression eyes fact father fear feel figure final followed friends give Hamlet hand hath hear Henry human imagination John killed King language later Lear least less lines live look Lord lovers Macbeth means mind moral murder nature offers opening Othello passages performance perhaps play play's poem present Prince printed production Queen reason relationship response Richard role says scene seems seen sense Shakespeare shows soliloquy sonnets speaks speech stage story success suggest tale tells theatre theatrical thing thou thought tragedy true turns woman writing written wrote young