Shakespeare: A Dramatic LifeSinclair-Stevenson, 1994 - 403 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 50.
Strana 22
... criticism was at its height an alternative movement was making itself felt , emphasizing the importance of studies ... critics have been increasingly ready to acknowledge that Shakespeare was above all a man of the theatre , and that ...
... criticism was at its height an alternative movement was making itself felt , emphasizing the importance of studies ... critics have been increasingly ready to acknowledge that Shakespeare was above all a man of the theatre , and that ...
Strana 167
... criticism of her character : HERO ... nature never framed a woman's heart Of prouder stuff than that of Beatrice ... criticisms in a shaken reaction that expresses a serious gain in self - knowledge : What fire is in mine ears ? Can this ...
... criticism of her character : HERO ... nature never framed a woman's heart Of prouder stuff than that of Beatrice ... criticisms in a shaken reaction that expresses a serious gain in self - knowledge : What fire is in mine ears ? Can this ...
Strana 351
... criticism and the performance history of Cymbeline may justify the glimmerings of belief in the possibility of progress in understanding and criticism of the arts . The opening scene , in which one anonymous gentleman feeds another with ...
... criticism and the performance history of Cymbeline may justify the glimmerings of belief in the possibility of progress in understanding and criticism of the arts . The opening scene , in which one anonymous gentleman feeds another with ...
Obsah
EIGHT Comedies of Venice Messina France Illyria | 158 |
SIXTEEN A Lost Play Based on Don Quixote One Last English | 372 |
Index | 393 |
Autorské práva | |
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Časté výrazy a frázy
action actors Antony appears audience becomes believe body bring called cause characters claim closing comedy comes comic create criticism daughter dead death direct Duke early edition effect Elizabethan emotional English episode expression eyes fact father fear feel figure final followed friends give Hamlet hand hath hear Henry human imagination John killed King language later Lear least less lines live look Lord lovers Macbeth means mind moral murder nature offers opening Othello passages performance perhaps play play's poem present Prince printed production Queen reason relationship response Richard role says scene seems seen sense Shakespeare shows soliloquy sonnets speaks speech stage story success suggest tale tells theatre theatrical thing thou thought tragedy true turns woman writing written wrote young