Shakespeare: A Dramatic LifeSinclair-Stevenson, 1994 - 403 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 55.
Strana 136
... language is stylized . Shakespeare seems to be taking the representation of people and events , as of speech , as far away from a naturalistic mode as he dares , rigorously subordinating credibility of immediate effect to the patterns ...
... language is stylized . Shakespeare seems to be taking the representation of people and events , as of speech , as far away from a naturalistic mode as he dares , rigorously subordinating credibility of immediate effect to the patterns ...
Strana 271
... language in which it is written . Shakespeare's use of language in this play is amazingly subtle , creating an inexhaustible network of resonances ; it is possible , for example , to trace intricate patternings of imagery of seeing ...
... language in which it is written . Shakespeare's use of language in this play is amazingly subtle , creating an inexhaustible network of resonances ; it is possible , for example , to trace intricate patternings of imagery of seeing ...
Strana 305
... language ' is characteristic only of the young Shakespeare . But if the play's language were merely hyperbolical in its figuring forth of the central characters it would suffer from the limitations of tone that have caused John Dryden's ...
... language ' is characteristic only of the young Shakespeare . But if the play's language were merely hyperbolical in its figuring forth of the central characters it would suffer from the limitations of tone that have caused John Dryden's ...
Obsah
EIGHT Comedies of Venice Messina France Illyria | 158 |
SIXTEEN A Lost Play Based on Don Quixote One Last English | 372 |
Index | 393 |
Autorské práva | |
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Časté výrazy a frázy
action actors Antony appears audience becomes believe body bring called cause characters claim closing comedy comes comic create criticism daughter dead death direct Duke early edition effect Elizabethan emotional English episode expression eyes fact father fear feel figure final followed friends give Hamlet hand hath hear Henry human imagination John killed King language later Lear least less lines live look Lord lovers Macbeth means mind moral murder nature offers opening Othello passages performance perhaps play play's poem present Prince printed production Queen reason relationship response Richard role says scene seems seen sense Shakespeare shows soliloquy sonnets speaks speech stage story success suggest tale tells theatre theatrical thing thou thought tragedy true turns woman writing written wrote young