Shakespeare: A Dramatic LifeSinclair-Stevenson, 1994 - 403 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 64.
Strana 33
... perhaps even libraries , who worked not mainly by scribbling on the backs of old actors ' parts as he travelled the provinces on horse or mule , but more often at a desk or table , surrounded by books - big , heavy books such as ...
... perhaps even libraries , who worked not mainly by scribbling on the backs of old actors ' parts as he travelled the provinces on horse or mule , but more often at a desk or table , surrounded by books - big , heavy books such as ...
Strana 177
... perhaps a forester , whom Rosalind has conscripted into taking on the role . The direction for ' still music ' ( which I take to mean music that will still the audience into silence ) is a clue ; though there is no transition from the ...
... perhaps a forester , whom Rosalind has conscripted into taking on the role . The direction for ' still music ' ( which I take to mean music that will still the audience into silence ) is a clue ; though there is no transition from the ...
Strana 204
... perhaps the longest role in drama- he could scarcely ask for more , except perhaps the opportunity to sing and dance . And if the role of Hamlet is the greatest reason for the play's popularity with actors , the character of Hamlet is ...
... perhaps the longest role in drama- he could scarcely ask for more , except perhaps the opportunity to sing and dance . And if the role of Hamlet is the greatest reason for the play's popularity with actors , the character of Hamlet is ...
Obsah
EIGHT Comedies of Venice Messina France Illyria | 158 |
SIXTEEN A Lost Play Based on Don Quixote One Last English | 372 |
Index | 393 |
Autorské práva | |
Iné vydania - Zobraziť všetky
Časté výrazy a frázy
action actors Antony appears audience becomes believe body bring called cause characters claim closing comedy comes comic create criticism daughter dead death direct Duke early edition effect Elizabethan emotional English episode expression eyes fact father fear feel figure final followed friends give Hamlet hand hath hear Henry human imagination John killed King language later Lear least less lines live look Lord lovers Macbeth means mind moral murder nature offers opening Othello passages performance perhaps play play's poem present Prince printed production Queen reason relationship response Richard role says scene seems seen sense Shakespeare shows soliloquy sonnets speaks speech stage story success suggest tale tells theatre theatrical thing thou thought tragedy true turns woman writing written wrote young