Shakespeare: A Dramatic LifeSinclair-Stevenson, 1994 - 403 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 56.
Strana 23
... thought is constantly swinging , resulting in an emphasis sometimes on the literary , sometimes on the theatrical aspects of Shakespeare's artistry . In this chapter I want to look at certain aspects of Shakespeare's career in an ...
... thought is constantly swinging , resulting in an emphasis sometimes on the literary , sometimes on the theatrical aspects of Shakespeare's artistry . In this chapter I want to look at certain aspects of Shakespeare's career in an ...
Strana 34
... thought he could make literary rather than theatrical improvements . There is also - and this is something that Bernard Shaw , who wrote contemptuously of Shakespeare's mind , would have denied - a strong vein of intellectuality in ...
... thought he could make literary rather than theatrical improvements . There is also - and this is something that Bernard Shaw , who wrote contemptuously of Shakespeare's mind , would have denied - a strong vein of intellectuality in ...
Strana 136
... thought that carry the play's deeper meanings . When Mowbray is banished , for instance , he reacts not with an idiosyncratic expression of his capacity to make the best of a bad job ( like Kent in King Lear ) , or with a vivid ...
... thought that carry the play's deeper meanings . When Mowbray is banished , for instance , he reacts not with an idiosyncratic expression of his capacity to make the best of a bad job ( like Kent in King Lear ) , or with a vivid ...
Obsah
EIGHT Comedies of Venice Messina France Illyria | 158 |
SIXTEEN A Lost Play Based on Don Quixote One Last English | 372 |
Index | 393 |
Autorské práva | |
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Časté výrazy a frázy
action actors Antony appears audience becomes believe body bring called cause characters claim closing comedy comes comic create criticism daughter dead death direct Duke early edition effect Elizabethan emotional English episode expression eyes fact father fear feel figure final followed friends give Hamlet hand hath hear Henry human imagination John killed King language later Lear least less lines live look Lord lovers Macbeth means mind moral murder nature offers opening Othello passages performance perhaps play play's poem present Prince printed production Queen reason relationship response Richard role says scene seems seen sense Shakespeare shows soliloquy sonnets speaks speech stage story success suggest tale tells theatre theatrical thing thou thought tragedy true turns woman writing written wrote young