The Adventures of a Shakespeare Scholar: To Discover Shakespeare's Art, Zväzok 10University of Delaware Press, 1997 - 365 strán (strany) Rarely does a scholar single-handedly point Shakespeare study in a new direction. But in the 1950s, when brilliant insights were being achieved in Shakespeare's language, and a few theatre historians were recording stagings and stage business, Marvin Rosenberg led the way to a wider perspective of the poet-playwright's genius. He insisted that Shakespeare's art fused poetry-of-the-word with poetry-of-the-theatre, each illuminating the other inseparably. |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 5 z 53.
Strana 19
... father , with the bloody patches for eyes , across the heath . Reading , we must imagine the unwritten part of the text . Be Edgar . What moves him — you— now ? What mix of instant pity , mingled with the need to make Gloster sorry , to ...
... father , with the bloody patches for eyes , across the heath . Reading , we must imagine the unwritten part of the text . Be Edgar . What moves him — you— now ? What mix of instant pity , mingled with the need to make Gloster sorry , to ...
Strana 20
... father . 4.6.240 The father is conventional , but still Edgar almost gives himself away . Gloster , sensing the hidden in his guide , asks point - blank — perhaps ex- tending a hand toward him , trying to see feelingly , by touch and ...
... father . 4.6.240 The father is conventional , but still Edgar almost gives himself away . Gloster , sensing the hidden in his guide , asks point - blank — perhaps ex- tending a hand toward him , trying to see feelingly , by touch and ...
Strana 21
... father by identifying himself at the key moments . What do his hands , face , body , tones of voice say ? Try it . His body must do the speaking over several scenes , as we see Edgar , after his first rough imper- sonal escorting , more ...
... father by identifying himself at the key moments . What do his hands , face , body , tones of voice say ? Try it . His body must do the speaking over several scenes , as we see Edgar , after his first rough imper- sonal escorting , more ...
Strana 29
... father suddenly dead , mother remarried , denied his wish to return to college . His objective — to die ? As Hamlet moves through his character - shaping changes in thought , passion , and purpose , he becomes what he feels , what he ...
... father suddenly dead , mother remarried , denied his wish to return to college . His objective — to die ? As Hamlet moves through his character - shaping changes in thought , passion , and purpose , he becomes what he feels , what he ...
Strana 33
... ( father figure ? ) that he is almost unstrung physically . Another dangerous female awaits him at home — his wife , so ambitious for him and herself , and as wife - mother so ready to conspire with him to destroy an old man that she ...
... ( father figure ? ) that he is almost unstrung physically . Another dangerous female awaits him at home — his wife , so ambitious for him and herself , and as wife - mother so ready to conspire with him to destroy an old man that she ...
Iné vydania - Zobraziť všetky
The Adventures of a Shakespeare Scholar: To Discover Shakespeare ..., Zväzok 10 Marvin Rosenberg Zobrazenie úryvkov - 1997 |
Časté výrazy a frázy
action actors aesthetic ambiguity Angelo arousal artistic asked audience Banquo Cassio character characterization child Claudius colleagues comedy complex contextual Cordelia critics David Garrick death Desdemona drama Duke Edgar eighteenth century Elizabethan emotional essay experience eyes fantasy father feel Fool Garrick Gertrude gestures Gloster Hall hero human Iago Iago's imagery imagine impulses Isabella Kemble kill kind King Lear Lady Macbeth Laertes language Lear's learned linear lines look Masks Measure for Measure mind Modern Language Association motivation moved murder Ophelia Othello passion patterns performance perhaps personality play play's playwright poetry Polonius polyphony power Hamlet rehearsals response role Salvini scene scholars Scofield seems sense sexual Shake Shakespeare Conference shock soliloquy sometimes sound speak speare's spectators speech stage Stratford subtext suggest sweet Hamlet symbolic theater thing thou thought tion tragedy tragic tragic heroes verbal videotape visual voice words
Populárne pasáže
Strana 108 - O, reason not the need ! our basest beggars Are in the poorest thing superfluous : Allow not nature more than nature needs, Man's life is cheap, as beast's : thou art a lady ; If only to go warm were gorgeous, Why, nature needs not what thou gorgeous wear'st, Which scarcely keeps thee warm.
Strana 106 - Hear, nature, hear ; dear goddess, hear ! — Suspend thy purpose, if thou didst intend To make this creature fruitful ! Into her womb convey sterility ! Dry up in her the organs of increase ; And from her derogate body never spring A babe to honour her ! If she must teem, Create her child of spleen ; that it may live, And be a thwart disnatured torment to her...
Strana 110 - Poor naked wretches, wheresoe'er you are, That bide the pelting of this pitiless storm, How shall your houseless heads, and unfed sides, Your loop'd and window'd raggedness, defend you From seasons such as these...
Strana 125 - Which would be worn now in their newest gloss, Not cast aside so soon. Lady M. Was the hope drunk Wherein you dress'd yourself? hath it slept since, And wakes it now, to look so green and pale At what it did so freely ? From this time Such I account thy love. Art thou...
Strana 98 - From too much liberty, my Lucio, liberty ; As surfeit is the father of much fast, So every scope by the immoderate use Turns to restraint; our natures do pursue (Like rats that ravin down their proper bane,) A thirsty evil ; and when we drinK, we die.
Strana 290 - I have heard That guilty creatures, sitting at a play, Have by the very cunning of the scene Been struck so to the soul that presently They have proclaim'd their malefactions; For murder, though it have no tongue, will speak With most miraculous organ.
Strana 209 - Sir, I love you more than words can wield the matter; Dearer than eyesight, space, and liberty; Beyond what can be valued, rich or rare...
Odkazy na túto knihu
Acting from Shakespeare's First Folio: Theory, Text and Performance Don Weingust Zobrazenie úryvkov - 2006 |
Shakespearean Scholarship: A Guide for Actors and Students Leslie O'Dell Zobrazenie úryvkov - 2002 |