Characters of Shakespeare's Plays: & Lectures on the English PoetsMacmillan and Company, 1920 - 422 strán (strany) |
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Výsledky 1 - 5 z 35.
Strana xi
... , CORIOLANUS , TROILUS AND CRESSIDA , ANTONY AND CLEOPATRA , HAMLET , THE TEMPEST , THE MIDSUMMER NIGHT'S DREAM , ROMEO AND JULIET , LEAR , PAGE xvii α 20 26 38 42 51 58 63 71 78 83 94 RICHARD II . , PAGE ΠΟ HENRY IV . IN.
... , CORIOLANUS , TROILUS AND CRESSIDA , ANTONY AND CLEOPATRA , HAMLET , THE TEMPEST , THE MIDSUMMER NIGHT'S DREAM , ROMEO AND JULIET , LEAR , PAGE xvii α 20 26 38 42 51 58 63 71 78 83 94 RICHARD II . , PAGE ΠΟ HENRY IV . IN.
Strana xxv
... Lear , or the description of flowers in The Winter's Tale , than to describe the objects of a sixth sense ; nor do we think he would have any very profound feeling of the beauty of the passages here referred to . A stately common ...
... Lear , or the description of flowers in The Winter's Tale , than to describe the objects of a sixth sense ; nor do we think he would have any very profound feeling of the beauty of the passages here referred to . A stately common ...
Strana 2
... Lear , of Romeo and Juliet , of Macbeth , of Othello , even of Hamlet , and of other plays of less moment , in which the last act is crowded with decisive events brought about by natural and striking means . The pathos in CYMBELINE is ...
... Lear , of Romeo and Juliet , of Macbeth , of Othello , even of Hamlet , and of other plays of less moment , in which the last act is crowded with decisive events brought about by natural and striking means . The pathos in CYMBELINE is ...
Strana 10
... Lear , Othello and Hamlet , are usually reckoned Shakespear's four principal tragedies . Lear stands first for the profound intensity of the passion ; Macbeth for the wildness of the imagination and the rapidity of the action ; Othello ...
... Lear , Othello and Hamlet , are usually reckoned Shakespear's four principal tragedies . Lear stands first for the profound intensity of the passion ; Macbeth for the wildness of the imagination and the rapidity of the action ; Othello ...
Strana 27
... Lear is indeed more dreadful and overpowering : but it is less natural , and less of every day's occurrence . We have not the same degree of sympathy with the passions described in Macbeth . The interest in Hamlet is more remote and ...
... Lear is indeed more dreadful and overpowering : but it is less natural , and less of every day's occurrence . We have not the same degree of sympathy with the passions described in Macbeth . The interest in Hamlet is more remote and ...
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admirable affections Antony Apemantus appear Banquo beauty Bolingbroke breath Brutus Cæsar Caliban character Chaucer circumstances Claudio comedy Cordelia Coriolanus critic CYMBELINE death delight Desdemona dost doth dramatic equal eyes Falstaff fancy fear feeling fool friends genius give Gonerill grace grave Hamlet hast hath hear heart heaven Henry honour Hubert human humour Iago imagination interest Juliet king lady Lear live look lord Macbeth Malvolio manner Mark Antony MIDSUMMER NIGHT'S DREAM mind moral nature never night noble o'er objects Othello passages passion person pity play pleasure poem poet poetical poetry prince refined Regan revenge Richard Richard III Romeo ROMEO AND JULIET scene sense sentiment Shakespear shew Sir Toby sleep soul speak speech spirit story striking style sweet tender thee thing thou art thought Titus Andronicus tragedy true truth words writer Yorkshire Tragedy youth