Characters of Shakespeare's Plays: & Lectures on the English PoetsMacmillan and Company, 1920 - 422 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 5 z 83.
Strana v
... less warped by his rather numerous prejudices . Both the Characters and the Lectures on the English Poets offer interesting materials for a Bibliographical Note . Mr. Augustine Birrell has recently pointed out in his life of Hazlitt in ...
... less warped by his rather numerous prejudices . Both the Characters and the Lectures on the English Poets offer interesting materials for a Bibliographical Note . Mr. Augustine Birrell has recently pointed out in his life of Hazlitt in ...
Strana viii
... less rapid than Hazlitt imagined , and Gifford's attack probably did no great harm . The second edition was published for Reynell by Taylor and Hessey , and as the last revised by Hazlitt has been followed . in this reprint . The ...
... less rapid than Hazlitt imagined , and Gifford's attack probably did no great harm . The second edition was published for Reynell by Taylor and Hessey , and as the last revised by Hazlitt has been followed . in this reprint . The ...
Strana xxv
... less with the ordinary routine of his imagination than Perdita's lines , which seem enamoured of their own sweetness- " Daffodils That come before the swallow dares , and take The winds of March with beauty ; violets dim , But sweeter ...
... less with the ordinary routine of his imagination than Perdita's lines , which seem enamoured of their own sweetness- " Daffodils That come before the swallow dares , and take The winds of March with beauty ; violets dim , But sweeter ...
Strana 1
... less concen- trated in consequence ; but the interest becomes more aerial and refined from the principle of perspective intro- duced into the subject by the imaginary changes of scene , as well as by the length of time it occupies . The ...
... less concen- trated in consequence ; but the interest becomes more aerial and refined from the principle of perspective intro- duced into the subject by the imaginary changes of scene , as well as by the length of time it occupies . The ...
Strana 2
... less moment , in which the last act is crowded with decisive events brought about by natural and striking means . The pathos in CYMBELINE is not violent or tragical , but of the most pleasing and amiable kind . A certain tender gloom ...
... less moment , in which the last act is crowded with decisive events brought about by natural and striking means . The pathos in CYMBELINE is not violent or tragical , but of the most pleasing and amiable kind . A certain tender gloom ...
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admirable affections Antony Apemantus appear Banquo beauty Bolingbroke breath Brutus Cæsar Caliban character Chaucer circumstances Claudio comedy Cordelia Coriolanus critic CYMBELINE death delight Desdemona dost doth dramatic equal eyes Falstaff fancy fear feeling fool friends genius give Gonerill grace grave Hamlet hast hath hear heart heaven Henry honour Hubert human humour Iago imagination interest Juliet king lady Lear live look lord Macbeth Malvolio manner Mark Antony MIDSUMMER NIGHT'S DREAM mind moral nature never night noble o'er objects Othello passages passion person pity play pleasure poem poet poetical poetry prince refined Regan revenge Richard Richard III Romeo ROMEO AND JULIET scene sense sentiment Shakespear shew Sir Toby sleep soul speak speech spirit story striking style sweet tender thee thing thou art thought Titus Andronicus tragedy true truth words writer Yorkshire Tragedy youth