Characters of Shakespeare's Plays: & Lectures on the English PoetsMacmillan and Company, 1920 - 422 strán (strany) |
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Strana xvii
... nature ; and it is not so just to say that he speaks from her , as that she speaks through him . " His characters are so much nature herself , that it is a sort of injury to call them by so distant a name as copies of her . Those of ...
... nature ; and it is not so just to say that he speaks from her , as that she speaks through him . " His characters are so much nature herself , that it is a sort of injury to call them by so distant a name as copies of her . Those of ...
Strana xix
... nature , on the other hand , he carries nature into the regions of fancy , lying beyond the confines of reality . We are lost in astonishment at seeing the extraordinary , the wonderful , and the unheard of , in such intimate nearness ...
... nature , on the other hand , he carries nature into the regions of fancy , lying beyond the confines of reality . We are lost in astonishment at seeing the extraordinary , the wonderful , and the unheard of , in such intimate nearness ...
Strana xx
... natural pathos , which consists in exclamations destitute of imagery , and nowise elevated above every - day life . But energetical passions electrify the whole of the mental powers , and will , consequently , in highly favoured natures ...
... natural pathos , which consists in exclamations destitute of imagery , and nowise elevated above every - day life . But energetical passions electrify the whole of the mental powers , and will , consequently , in highly favoured natures ...
Strana xxi
... nature , may be seen in lago and Richard the Third . The constant reference to a petty and puny race must cripple the boldness of the poet . Fortunately for his art , Shakespear lived in an age extremely susceptible of noble and tender ...
... nature , may be seen in lago and Richard the Third . The constant reference to a petty and puny race must cripple the boldness of the poet . Fortunately for his art , Shakespear lived in an age extremely susceptible of noble and tender ...
Strana xxiii
... natural objects but " such as he could measure with a two - foot rule , or tell upon ten fingers " : he judged of human nature in the same way , by mood and figure : he saw only the definite , the positive , and the practical , the ...
... natural objects but " such as he could measure with a two - foot rule , or tell upon ten fingers " : he judged of human nature in the same way , by mood and figure : he saw only the definite , the positive , and the practical , the ...
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admirable affections Antony Apemantus appear Banquo beauty Bolingbroke breath Brutus Cæsar Caliban character Chaucer circumstances Claudio comedy Cordelia Coriolanus critic CYMBELINE death delight Desdemona dost doth dramatic equal eyes Falstaff fancy fear feeling fool friends genius give Gonerill grace grave Hamlet hast hath hear heart heaven Henry honour Hubert human humour Iago imagination interest Juliet king lady Lear live look lord Macbeth Malvolio manner Mark Antony MIDSUMMER NIGHT'S DREAM mind moral nature never night noble o'er objects Othello passages passion person pity play pleasure poem poet poetical poetry prince refined Regan revenge Richard Richard III Romeo ROMEO AND JULIET scene sense sentiment Shakespear shew Sir Toby sleep soul speak speech spirit story striking style sweet tender thee thing thou art thought Titus Andronicus tragedy true truth words writer Yorkshire Tragedy youth