Characters of Shakespeare's Plays: & Lectures on the English PoetsMacmillan and Company, 1920 - 422 strán (strany) |
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Strana 12
... revenge , or his recoiling from them , equally betrays the harassed state of his feelings . This part of his character is admirably set off by being brought in connection with that of Lady Macbeth , whose obdurate strength of will and ...
... revenge , or his recoiling from them , equally betrays the harassed state of his feelings . This part of his character is admirably set off by being brought in connection with that of Lady Macbeth , whose obdurate strength of will and ...
Strana 28
... revenge of Othello , after it has once taken thorough possession of his mind , never quits it , but grows stronger and stronger at every moment of its delay . The nature of the Moor is noble , confiding , tender , and generous ; but his ...
... revenge of Othello , after it has once taken thorough possession of his mind , never quits it , but grows stronger and stronger at every moment of its delay . The nature of the Moor is noble , confiding , tender , and generous ; but his ...
Strana 30
... revenge is sure of its object , the painful regrets and involuntary recollections of past circumstances which cross his mind amidst the dim 1 See the passage , beginning- " It is impossible you should see this , were they as prime as ...
... revenge is sure of its object , the painful regrets and involuntary recollections of past circumstances which cross his mind amidst the dim 1 See the passage , beginning- " It is impossible you should see this , were they as prime as ...
Strana 31
... revenge , and set his heart more against her . In his con- versations with Desdemona , the persuasion of her guilt and the immediate proofs of her duplicity seem to irritate his resentment and aversion to her ; but in the scene ...
... revenge , and set his heart more against her . In his con- versations with Desdemona , the persuasion of her guilt and the immediate proofs of her duplicity seem to irritate his resentment and aversion to her ; but in the scene ...
Strana 50
... revenge thy private ' injuries , thou hast for ever undone thy good friends , who did most ' lovingly and courteously receive thee . ' Martius gave good ear unto his mother's words , without interrupting her speech at all , and after ...
... revenge thy private ' injuries , thou hast for ever undone thy good friends , who did most ' lovingly and courteously receive thee . ' Martius gave good ear unto his mother's words , without interrupting her speech at all , and after ...
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admirable affections Antony Apemantus appear Banquo beauty Bolingbroke breath Brutus Cæsar Caliban character Chaucer circumstances Claudio comedy Cordelia Coriolanus critic CYMBELINE death delight Desdemona dost doth dramatic equal eyes Falstaff fancy fear feeling fool friends genius give Gonerill grace grave Hamlet hast hath hear heart heaven Henry honour Hubert human humour Iago imagination interest Juliet king lady Lear live look lord Macbeth Malvolio manner Mark Antony MIDSUMMER NIGHT'S DREAM mind moral nature never night noble o'er objects Othello passages passion person pity play pleasure poem poet poetical poetry prince refined Regan revenge Richard Richard III Romeo ROMEO AND JULIET scene sense sentiment Shakespear shew Sir Toby sleep soul speak speech spirit story striking style sweet tender thee thing thou art thought Titus Andronicus tragedy true truth words writer Yorkshire Tragedy youth