Characters of Shakespeare's Plays: & Lectures on the English PoetsMacmillan and Company, 1920 - 422 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 5 z 66.
Strana xx
... . He had not those rude ideas of his art which many moderns seem to have , as if the poet , like the clown in the proverb , must strike twice on the same place . An ancient rhetorician delivered a caution against dwelling XX PREFACE.
... . He had not those rude ideas of his art which many moderns seem to have , as if the poet , like the clown in the proverb , must strike twice on the same place . An ancient rhetorician delivered a caution against dwelling XX PREFACE.
Strana xxiii
... striking differences- their classes , not their degrees . He was a man of strong common sense and practical wisdom , rather than of genius or feeling . He retained the regular habitual impressions of actual objects , but he could not ...
... striking differences- their classes , not their degrees . He was a man of strong common sense and practical wisdom , rather than of genius or feeling . He retained the regular habitual impressions of actual objects , but he could not ...
Strana 1
... striking parts of the story are thrown into the form of a dialogue , and the intermediate circumstances are explained by the different speakers , as occasion renders it necessary . The action is less concen- trated in consequence ; but ...
... striking parts of the story are thrown into the form of a dialogue , and the intermediate circumstances are explained by the different speakers , as occasion renders it necessary . The action is less concen- trated in consequence ; but ...
Strana 2
... striking means . The pathos in CYMBELINE is not violent or tragical , but of the most pleasing and amiable kind . A certain tender gloom overspreads the whole . Posthumus is the ostensible hero of the piece , but its greatest charm is ...
... striking means . The pathos in CYMBELINE is not violent or tragical , but of the most pleasing and amiable kind . A certain tender gloom overspreads the whole . Posthumus is the ostensible hero of the piece , but its greatest charm is ...
Strana 6
... striking and powerful con- trasts in which Shakespear abounds could not escape observation ; but the use he makes of the principle of analogy to reconcile the greatest diversities of character and to maintain a continuity of feeling ...
... striking and powerful con- trasts in which Shakespear abounds could not escape observation ; but the use he makes of the principle of analogy to reconcile the greatest diversities of character and to maintain a continuity of feeling ...
Iné vydania - Zobraziť všetky
Časté výrazy a frázy
admirable affections Antony Apemantus appear Banquo beauty Bolingbroke breath Brutus Cæsar Caliban character Chaucer circumstances Claudio comedy Cordelia Coriolanus critic CYMBELINE death delight Desdemona dost doth dramatic equal eyes Falstaff fancy fear feeling fool friends genius give Gonerill grace grave Hamlet hast hath hear heart heaven Henry honour Hubert human humour Iago imagination interest Juliet king lady Lear live look lord Macbeth Malvolio manner Mark Antony MIDSUMMER NIGHT'S DREAM mind moral nature never night noble o'er objects Othello passages passion person pity play pleasure poem poet poetical poetry prince refined Regan revenge Richard Richard III Romeo ROMEO AND JULIET scene sense sentiment Shakespear shew Sir Toby sleep soul speak speech spirit story striking style sweet tender thee thing thou art thought Titus Andronicus tragedy true truth words writer Yorkshire Tragedy youth