they lay; but neither is this likely; for the poet, sat. vi. 541. describes a mendicant Jewess as coming into the city, and leaving her basket and hay behind her; which implies, that the basket and hay were usually carried about with them when they went a begging elsewhere. Now it is not to be supposed that they should carry about so large a quantity of hay, as served them to lie upon when at home in the grove.

It is clear that the basket and hay are mentioned together here, and in the other place of sat. vi. from whence I infer, that they had little wicker baskets in which they put the money, provisions, or other small alms which they received of the passers by, and, in order to stow them the better, and to prevent their dropping through the interstices of the wicker, put wisps of hay, or dried grass, in the inside of the baskets. These Jew beggars were as well known by baskets with hay in them, as our beggars are by their wallets, or our soldiers by their knapsacks. Hence the Jewess, sat. vi. left her basket and hay behind her when she came into the city, for fear they should betray her, and subject her to punishment for infringing the emperor's order against the Jews coming into the city. Her manner of begging too, by a whisper in the ear, seems to confirm this supposition. The Latin cophinus is the same as Gr. xoves, which is used several times in the New Testament to denote a provision-basket, made use of among the Jews. See Matt. xiv. 20. Matt. xvi. 9, 10. Mark vi, 43. Mark viii. 19, 20. Luke ix. 17. Joh, vi. 13.

15. To pay a rent.] The grove being let out to the Jews, every tree, as it were, might be said to bring in a rent to the people at Rome. The poet seems to mention this as a proof of the public

avarice, created by the public extrava. gance, which led them to hire out these sacred places for what they could get, by letting them to the poor Jews, who could only pay for them out of what they got by begging.

16. The wood begs, fe.] i. e. The Jews, who were now the inhabitants of the wood, (meton.) were all beggars; nothing else was to be seen in those once sacred abodes of the Muses, who were now banished.

17. We descend, &c.] Umbritius and Juvenal sauntered on, till they came to that part of the grove which was called the vale of Ageria, so called, probably, from the fountain, into which she was changed, running there.

17-18. And into caves unlike the true.] These caves, in their primitive state, were as nature formed them, but had been profaned with artificial ornaments, which had destroyed their native beauty and simplicity.

18. How much better.] How much more suitably situated.

19. The deity of the water.] Each fountain was supposed to have a nymph, or naiad, belonging to it, who presided over it as the goddess of the water; Ægeria may be supposed to be here meant.

-If, with a green margin, &c.] If, instead of ornamenting the banks with artificial borders made of marble, they had been left in their natural state, simple and unadorned by human art, having no other margin but the native turf, and the rude stone (tophum) which was the genuine produce of the soil. These were once consecrated in honour of the fountain-nymph, but had now been violated and destroyed, in order to make way for artificial ornaments of marble, which Roman luxury and extravagance had put in their place.

same to-morrow,

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all that belongs to me, take an everlast ing farewell of that detested city, which, though my native place, I am heartily tired of, as none but knaves are fit to live there.

29-30. Arturius and Catulus.] Two knaves, who, from very low life, had raised themselves to large and affluent circumstances. Umbritius seems to introduce them as examples, to prove that such people found more encouragenient in Rome, than the professors of the liberal arts could hope for. See before, 1. 21. note 2.

30. Let those stay, &c.] He means those, who by craft and subtlety could utterly invert and change the appearances of things, making virtue appear as vice, and vice as virtue; falsehood as truth, and truth as falsehood. Such were Arturius and Catulus.

31. To hire a building.] The word ædem, here being joined with other things of public concern, such as rivers, ports, &c. seems to imply their hiring some public buildings, of which they made money; and it should seem, from these lines, that the several branches of the public revenue and expenditure were farmed out to certain contractors, who were answerable to the ædiles, and to the other magistrates, for the due execution of their contracts. Juvenal here seems to point at the temples, theatres, and other public buildings, which were thus farmed out to these people, who, from the wealth which they had

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acquired, and of course from their responsibility, could easily procure such contracts, by which they made an immense and exorbitant profit. Edis-is signifies any kind of edifice. AINSW. Omne ædeficium adis dicitur.

-Rivers.] Fisheries perhaps, by hiring which, they monopolized them, so as to distress others, and enrich themselves; or the carriage of goods upon the rivers, for which a toll was paid; or, by flumina, may here be meant, the beds of the rivers, hired out to be cleaned and cleared at the public expence.

31. Ports.] Where goods were exported and imported; these they rented, and thus became farmers of the public revenue, to the great grievance of those who were to pay the duties, and to the great emolument of themselves, who were sure to make the most of their hargain.

32. A sewer to be dried.] Eluvies signifies a sink or common-sewer; which is usual in great cities, to carry off the water and filth that would otherwise incommode the houses and streets. From eluo, to wash out, wash away.

These contractors undertook the opening and clearing these from the stoppages to which they were liable, and by which, if not cleansed, the city would have been in many parts overflowed. There was nothing so mean and filthy, that these two men would not have undertaken for the sake of gain. Here we find them scavengers,

32. A corpse, &c.] Busta were places where dead bodies were burned; also graves and sepulchres. AINSW. Bustum from ustum. Sometimes these people hired or farmed funerals, contracting for the expence at such price. In this too they found their account.

33. And to expose, &c.] These fellows sometimes were mangones, sellers of slaves, which they purchased, and then sold by auction. See PERS. vi. 76, 7.

-The mistress-spear.] Domina hasta. It is difficult to render these two substantives literally into English, unless we join them, as we frequently do some of our own; as in master-key, queen-bee, &c.

We read of the hasta decemviralis which was fixed before the courts of justice. So of the hasta centumviralis, also fixed there. A spear was also fixed in the forum where there was an auction, and was a sign of it: all things sold there were placed near it, and were said to be sold, under the spear. Hence (by meton.) hasta is used, by Cicero and others, to signify an auction, or public sale of goods. The word domina seems to imply the power of disposal of the property in persons and things sold there, the possession and dominion over which were settled by this mode of sale, in the several purchasers. So that the spear, or auction, might properly be called domina, as ruling the disposal of persons and things.

34. These, in time past, horn-blowers.] Such was formerly the occupation of these people; they had travelled about the country, from town to town, with little paltry shows of gladiators, fencers, wrestlers, stage-players, and the like, sounding horns to call the people toge.

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ther, like our trumpeters to a puppetshow.

-Municipal theatre.] Municipium signifies a city or town-corporate, which had the privileges and freedom of Rome, and at the same time governed by laws of its own, like our corporations. Municipalis denotes any thing belonging to such a town. Most of these had arenæ, or theatres, where strolling companies of gladiators, &c. (like our strolling players,) used to exhibit. They were attended by horn-blowers and trumpeters, who sounded during the performance.

35. Checks known, &c.] Blowers on the horn, or trumpet, were sometimes called buccinatores, from the great distension of the cheeks in the action of blowing. This, by constant use, left a swollen appearance on the cheeks, for which these fellows were well known in all the country towns. Perhaps bucca is here put for buccinæ, the horns, trumpets, and such wind instruments as these fellows strolled with about the country. See AINSW Bucca, No. 3.

36. Now set forth public shows.] Munera, so called because given to the people at the expence of him who set them forth. These fellows, who had themselves been in the mean condition above described, now are so magnificent, as to treat the people with public shows of gladiators at the Roman theatre.

-The people's thumb, &c.] This alludes to a barbarous usage at fights of gladiators, where, if the people thought he that was overcome behaved like a coward, without courage or art, they made a sign for the vanquisher to put him to death, by clenching the hand, and holding or turning the thumb upward.