Othello and Interpretive TraditionsUniversity of Iowa Press, 1. 8. 1999 - 272 strán (strany) During the past twenty years or so, Othello has become the Shakespearean tragedy that speaks most powerfully to our contemporary concerns. Focusing on race and gender (and on class, ethnicity, sexuality, and nationality), the play talks about what audiences want to talk about. Yet at the same time, as refracted through Iago, it forces us to hear what we do not want to hear; like the characters in the play, we become trapped in our own prejudicial malice and guilt. |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 5 z 41.
Strana 3
... emphasized the importance of contex- tualization for interpretation . If you don't understand the context of aca- demic lectures you might miss the point , taking the critical analysis of prurient interest for an expression of the ...
... emphasized the importance of contex- tualization for interpretation . If you don't understand the context of aca- demic lectures you might miss the point , taking the critical analysis of prurient interest for an expression of the ...
Strana 8
... emphasize the consistency of the response record . The sense of painful double bind I described earlier in contemporary response to Othello is not unique to our time . Trying to account for " the peculiarity of Othello " as " the most ...
... emphasize the consistency of the response record . The sense of painful double bind I described earlier in contemporary response to Othello is not unique to our time . Trying to account for " the peculiarity of Othello " as " the most ...
Strana 16
Prepáčte, obsah tejto strany je neprístupný.
Prepáčte, obsah tejto strany je neprístupný.
Strana 17
Prepáčte, obsah tejto strany je neprístupný.
Prepáčte, obsah tejto strany je neprístupný.
Strana 18
Prepáčte, obsah tejto strany je neprístupný.
Prepáčte, obsah tejto strany je neprístupný.
Obsah
Othello in Theatrical and Critical History | 11 |
Disconfinuation | 30 |
lago | 53 |
The Fall of Othello | 79 |
The Pity Act | 113 |
Death without Transfiguration | 141 |
Interpretation as Contamination | 169 |
Character Endures | 183 |
Notes | 193 |
Works Cited | 231 |
247 | |
Iné vydania - Zobraziť všetky
Časté výrazy a frázy
acknowledge action Actors anxiety audience Bamber Gascoigne beginning belief Bianca Bob Hoskins Booth Brabantio Bradley Bradley's Cambridge University Press Carlisle Cassio century character claim Coleridge Coleridge's commentary contemporary context critical cultural Cyprus demona Desdemona desire devil dramatic earlier echoes Edwin Booth effect Emilia emphasis Empson essay evoke Fechter feel gender Hamlet Hankey Honigmann Iago Iago's idea identity imagination interest interpretive traditions King Lear lago Lear Leavis literary London marriage meaning Michael Neill modern Moor murder nature Neill Newman nineteenth nineteenth-century nonetheless norms original Othello Othello and Desdemona passage Patrick Stewart performance perhaps pharmakos play play's production protagonist question quoted racial Ralph Crane remarks Renaissance response Ridley Roderigo role Rymer says seems sense sexual Shakespeare Shakespearean Tragedy soliloquy speak speech Sprague stage suggests Temptation Scene textual Theatre theatrical thing tion tragic Tynan villain whore women words