Keats, Narrative and Audience: The Posthumous Life of WritingCambridge University Press, 24. 3. 1994 - 254 strán (strany) Andrew Bennett's original study of Keats focuses on questions of narrative and audience as a means to offer new readings of the major poems. It discusses ways in which reading is 'figured' in Keats's poetry, and suggests that such 'figures of reading' have themselves determined certain modes of response to Keats's texts. Together with important new readings of Keats's poetry, the study presents a significant rethinking of the relationship between Romantic poetry and its audience. Developing recent discussions in literary theory concerning narrative, readers and reading, the nature of the audience for poetry, and the Romantic 'invention' of posterity, Bennett elaborates a sophisticated and historically specific reconceptualization of Romantic writing. |
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addressee aesthetic allegorical reading allegory anxiety of audience assertion attempt Autumn Belle Dame Ceres Coleridge critics crucial Dame sans Merci death desire dilation discourse disnarrated dream early nineteenth century embedded Endymion English enthralled Essays Eve of St example explicitly eyes Fall of Hyperion figures of reading gaze Grecian Urn Heritage Imagination intertextuality involves Isabella John Keats Keats's letters Keats's poem Keats's poetry Keatsian Lamia language lexical lines literary logic London Lorenzo Lycius lyric Madeline mise en abyme narration narrative form narratorial Ode to Psyche paradox plot poem's poet poet's poetic political Porphyro posterity posthumous precisely Preface problematic produces Prose Questioning Presence reader reception relationship response rhetoric Robert Gittings Roland Barthes Romantic poetry seems sense significant solecism space St Agnes stanza stanza twenty-four Stillinger story structure suggests tale tell understood University Press Vendler vision visual voice Wolfson words Wordsworth writing