I've liv'd a life of sturt1 and strife; It burns my heart I must depart Sae rantingly, &c. Now farewell light, thou sunshine bright, May coward shame distain his name, HOW LANG AND DREARY IS THE NIGHT. "How long aud dreary is the night:" "I met with some such words," says Burns, "in a collection of songs somewhere, which I have altered and enlarged, and made to suit my favourite air, Cauld kail in Aberdeen." Tune.-Cauld kail in Aberdeen. How lang and dreary is the night, CHORUS. For oh, her lanely nights are lang; For oh, &c. How slow ye move, ye heavy hours! Trouble For oh, &c. k Frightful. Peeped, passed quickly. BONNIE PEG. First published in the Edinburgh Magazine for 1818 O wha came tripping down the street, Her air sae sweet, and shape complete, Wi' linked hands, we took the sands And, oh! that hour and broomy bower, CONTENTED WI' LITTLE. Burns has written nothing of the kind better, than the following happy and most excellent song. The old proverbial lore,' says Allan Cunningham, lends wisdom to the verse, the love of freedom is delicately expressed and vindicated, the sorrows of life are softened by song, and drink seems only to flow to set the tongue of the muse a-moving.' Tune.-Lumps o' Pudding. CONTENTED wi' little, and cantiem wi' mair, sang. I whyles claw the elbow o' troublesome thought; Cheerful. n Slap, a smart stroke. o Wooden dishe r Fight, A towmonds o' trouble, should that be my ta',t Blind Chance, let her snapper" and stoytex on her way; Be 't to me, be 't frae me, e'en let the jad gae: Come ease, or come travail; come pleasure or pain, My warst word is, 'Welcome, and welcome again!' WANDERING WILLIE. Perhaps in this song Burns has not much improved upon the old 'Here awa, there awa, wandering Willie.' HERE awa, there awa, wandering Willie, Rest, ye wild storms, in the cave of your slumbers, How your dread howling a lover alarms' Wauken ye breezes, row2 gently ye billows, And waft my dear laddie ance mair to my arms. But oh, if he's faithless, and minds na his Nannie, Flow still between us, thou wide-roaring main, May I never see it, may I never trow it, But, dying, believe that my Willie's my ain! Twelvemonth, Fate. น Cements. w Stumble. * Stagger, y Hold away home. & Roll OPEN THE DOOR TO ME, OH! Written to the old air of Lord Gregory; the second line was originally, 'If love it may na be, Oh!' Он, open the door, some pity to shew, Tho' thou hast been false, I'll ever prove true, Cauld is the blast upon my pale cheek, The wan moon is setting behind the white wave, False friends, false love, farewell! for mair She has open'd the door, she has open'd it wide, MY NANNIE'S AWA. [side, Tune.-There 'll never be peace tiil Jamie comes hame. The air to which this pretty pastoral song is united, was a favourite of Burns's. He wrote some excellent Jacobite verses to the same tune. Now in her green mantle blythe nature arrays, a Every small wood. Thou lav'rock that springs frae the dews o' the lawn, The shepherd to warn o' the grey-breaking dawn, Come, autumn, sae pensive, in yellow and grey, MEG O' THE MILL. Tune.-0 bonnie lass, will ye lie in a barrack' This song was originally written to a fine old air, called Jackie Hume's Lanent, but altered to suit the present tune. There is another and an older Meg o' the Mill, which begins- O ken ye what Meg o' the Mill nas gotten! O KEN ye what Meg o' the Mill has gotten? & Lark. c Thrush. d Blockhead. e Great quantity of silver. |