Characters of Shakespeare's PlaysWiley and Putnam, 1845 - 229 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 5 z 8.
Strana
... COMEDY AT WHITEHALL • · 45 THE COMEDY OF THE DUKE'S PLAYHOUSE THE COMEDY OF THE KING'S HIGHWAY 85 · 127 THE COMEDY OF A POOR ACTRESS 167 THE COMEDY WHICH BECAME A TRAGEDY 197 237 THE COMEDY OF THE KING'S ELMS THE COMEDY OF THE OLD LOVE ...
... COMEDY AT WHITEHALL • · 45 THE COMEDY OF THE DUKE'S PLAYHOUSE THE COMEDY OF THE KING'S HIGHWAY 85 · 127 THE COMEDY OF A POOR ACTRESS 167 THE COMEDY WHICH BECAME A TRAGEDY 197 237 THE COMEDY OF THE KING'S ELMS THE COMEDY OF THE OLD LOVE ...
Strana 4
... comedy carries the DNA of the sex comedy , so other silent comedies laid down the templates for most of the subsequent sub - genres of British comic cinema . In particular , the early comedies of social or sexual embarrassment , such as ...
... comedy carries the DNA of the sex comedy , so other silent comedies laid down the templates for most of the subsequent sub - genres of British comic cinema . In particular , the early comedies of social or sexual embarrassment , such as ...
Strana 19
... comedy: 'There are two ways of developing the form of comedy: one is to throw the main emphasis on the blocking characters; the other is to throw it forward on the scenes of discovery and reconciliation. One is the general tendency of ...
... comedy: 'There are two ways of developing the form of comedy: one is to throw the main emphasis on the blocking characters; the other is to throw it forward on the scenes of discovery and reconciliation. One is the general tendency of ...
Strana 61
... comedy , as being our especial concern ) was altogether out of vital touch with humanity , regarded either by classes or as individuals . Man's impulses and motives were not brought into the reckoning in play- building . The theatre ...
... comedy , as being our especial concern ) was altogether out of vital touch with humanity , regarded either by classes or as individuals . Man's impulses and motives were not brought into the reckoning in play- building . The theatre ...
Strana 77
... Comedy replete with insults and arguments both within the play itself and directed out of it into the world of the Athenian audience , but also the very structure of the plays depends on the confrontational ' agon ' which will be the ...
... Comedy replete with insults and arguments both within the play itself and directed out of it into the world of the Athenian audience , but also the very structure of the plays depends on the confrontational ' agon ' which will be the ...
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Časté výrazy a frázy
admiration affections Beaumont and Fletcher beauty Ben Jonson blood breath Cæsar Caliban character comedy comic Coriolanus critic CYMBELINE D'Ol death delight Desdemona dost doth dramatic Duke effeminacy Endymion equal Eumenides eyes Falstaff fancy fear feeling fire fool fortune friends genius give grace GUIDERIUS hand hast hath hear heart heaven Henry honour human Iago imagination interest Jonson king kiss Lear learning live look lord Macbeth MALVOLIO manner MIDSUMMER NIGHT'S DREAM mind moral nature never night noble Othello passages passion person pity play pleasure poet poetical poetry pride prince quincunxes racters rich Richard II scene seems Sejanus sense sentiment Shak Shakspeare Shakspeare's sleep soul speak speech spirit striking style sweet taste tell tender thee things thou art thought tion Titus Andronicus tragedy true truth unto virtue words writers youth
Populárne pasáže
Strana 24 - Would he were fatter. — But I fear him not. Yet if my name were liable to fear, I do not know the man I should avoid So soon as that spare Cassius. He reads much ; He is a great observer, and he looks Quite through the deeds of men.
Strana 144 - Let's choose executors and talk of wills : And yet not so — for what can we bequeath Save our deposed bodies to the ground? Our lands, our lives, and all are Bolingbroke's, And nothing can we call our own but death, And that small model of the barren earth Which serves as paste and cover to our bones.
Strana 114 - Indian mount, or fairy elves, Whose midnight revels, by a forest side, Or fountain, some belated peasant sees, Or dreams he sees, while overhead the moon Sits arbitress, and nearer to the earth Wheels her pale course ; they, on their mirth and dance Intent, with jocund music charm his ear ; At once with joy and fear his heart rebounds.
Strana 68 - A tower'd citadel, a pendant rock, A forked mountain, or blue promontory With trees upon't, that nod unto the world, And mock our eyes with air: thou hast seen these signs; They are black vesper's pageants. EROS. Ay, my lord. ANTONY. That which is now a horse, even with a thought The rack dislimns; and makes it indistinct, As water is in water.
Strana 105 - ... we make guilty of our disasters the sun, the moon and the stars : as if we were villains by necessity, fools by heavenly compulsion ; knaves, thieves and treachers, by spherical predominance ; drunkards, liars and adulterers, by an enforced obedience of planetary influence ; and all that we are evil in, by a divine thrusting on : an admirable evasion of whoremaster man, to lay his goatish disposition to the charge of a star...
Strana 163 - To gild refined gold, to paint the lily, To throw a perfume on the violet, To smooth the ice, or add another hue Unto the rainbow, or with taper-light To seek the beauteous eye of heaven to garnish, Is wasteful, and ridiculous excess.
Strana 210 - Ay, but to die, and go we know not where ; To lie in cold obstruction, and to rot ; This sensible warm motion to become A kneaded clod ; and the delighted spirit To bathe in fiery floods...
Strana 34 - Shall I make spirits fetch me what I please, Resolve me of all ambiguities, Perform what desperate enterprise I will? I'll have them fly to India for gold, Ransack the ocean for orient pearl, And search all corners of the new-found world For pleasant fruits and princely delicates...
Strana 159 - Sits on thy skin like morning dew, And while thy willing soul transpires At every pore with instant...
Strana 101 - O my love ! my wife ! Death, that hath suck'd the honey of thy breath, Hath had no power yet upon thy beauty : Thou art not conquer'd ; beauty's ensign yet Is crimson in thy lips and in thy cheeks, And death's pale flag is not advanced there.