Art, Origins, Otherness: Between Philosophy and ArtSUNY Press, 28. 8. 2003 - 306 strán (strany) Though our time is often said to be post-religious and post-metaphysical, many continue to seek some encounter with otherness and transcendence in art. This book deals diversely with the issues of art, origins, and otherness, both in themselves and in philosophical engagements with the works of Plato, Kant, Hegel, Schopenhauer, Nietzsche, and Heidegger. Addressing themes such as eros and mania, genius and the sublime, transcendence and the saving power of art, William Desmond tries to make sense of the paradox that too much has been asked of art that now almost nothing is asked of it. He argues that there is more to be said philosophically of art, and claims that art has the power to open up mindfulness beyond objectifying knowledge, as well as beyond thinking that claims to be entirely self-determining. |
Obsah
Mimesis Eros and Mania On Platonic Originals | 19 |
The Terror of Genius and the Otherness of the Sublime On Kant and the Transcendental Origin | 53 |
The Otherness of Arts Enigma Resolved or Dissolved? Hegel and the Dialectical Origin | 87 |
Gothic Hegel On Architecture and the Finer Enchantments of Transcendence | 115 |
Arts Release and the Sabbath of the Will Schopenhauer and the Eros Turannos of Origin | 131 |
Eros Frenzied and the Redemption of Art Nietzsche and the Dionysian Origin Nietzsches Origin and the Others | 165 |
Art and the SelfConcealing Origin Heideggers Equivocity and the Still Unthought Between | 209 |
Art and the Impossible Burden of Transcendence On the End of Art and the Task of Metaphysics | 265 |
295 | |
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absolute aesthetic agapeic agapeic origin articulation artist autonomy beauty becomes Birth of Tragedy chapter claim communication conatus concept counterfeit creation creative Critique Critique of Judgment dark origin Demiurge determinate dialectical self-mediation difference Dionysian Dionysus divine divine madness dualism earth Enlightenment equivocal eros and mania erotic origin ethos evil excess finesse finite finitude genius giving Gothic Greek Hegel Hegelian Heidegger Heidegger's hence human hyperbolic Idea idealism immanent intelligibility intimate inwardness Kant Kant's Kantian logic mean mediation metaphysics metaxological metaxu mimesis mind modern moral nature Niet Nietzsche Nietzsche's Nietzschean ontological ourselves passio essendi perhaps perplexity philosophy Plato plurivocal poet polemos porosity possible post-Kantian primal question radical reason relation release religion religious Romantic Romanticism scendence Schelling Schopenhauer Schopenhauer's seems self-determination self-transcendence sense sensuous Socrates speak spirit sublime thing thinkers thought tion trans transcendence transcendental true truth Übermensch ultimate univocal zsche