An Essay on the Nature, the End, and the Means of Imitation in the Fine Arts

according action afford allegorical already appearance applied artist attain beauty become belongs bodies bring called causes CHAPTER character composition consequence considered consists constitute conventions derived effect elements employed equally error especially execution existence explain expression fact faculties fictious figure forms frequently genius give historical human idea ideal identity illusion imagination imitation impressions individual instance kind language less limited manner material matter means metaphor mind mode moral nature necessary notion objects operation organ painter painting particular perfection personages persons physical picture Plautus pleasure poet poetical poetry positive present principle produce proper properties qualities reality reason receive regards relations remark render represented requires resemblance respect result seen senses sentiment separations signs single speak spirit style symbolical taste termed theory things tion transformation true truth understanding understood unity whole