Assaph: Studies in the theatre, Vydania 1–3

according action active actor actual Antonio's appears artistic attempt audience Beckett becomes behavior called characters communication context conventional create critic drama dramatic effect elements example existence experience expression fact final fool Fortinbras frame function given goze Hamlet hand human iconic implied important interpretation kind language light living London material meaning metaphor mind moral namely nature Notes objects organization pattern performance person play position possible present Press primary principle reading reality reason reference reflection regard relation relationship represent rhetorical role scene seems sense serves Shakespeare signifier signs similar situation space spectator stage directions story structure suggests takes Tel Aviv University theatre theatrical tradition tragedy true turns University utterance various verbal York